Making Art in Africa is an important contribution to the development of an African art history. It deserves this accolade because of its centering of the voices of artists on the African continent. But it is also a book that takes a bit of work to clarify its purpose, and it is only once this is done that its value becomes evident.
Any publication that takes the kind of title this one does will provoke a necessary, if somewhat predictable response. The title sets up the expectation of the book being a representative, historical survey. Such projects inevitably solicit responses that centre on perceptions of whether the ‘right’ artists have been selected. At a glance, the inclusion of canonical artists such as John Muafangejo and Malangatana suggests that a historic perspective is indeed at play. But there are few of their celebrated peers present, which means that anyone looking for an authoritative, historical overview may be disappointed.