Mohamed Ben Soltane

Art in Tunisia: A Visibility in the Making

Mohamed Ben Soltane, 14 September 2010

This has been translated from French. To read the original version click here.

One of Tunisia’s paradoxes is that it is among the wealthiest African countries economically, and the most socially stable, but is also among the least visible from a cultural point of view. This invisibility is reaching worrying proportions when we speak about contemporary art.
If North African artists  have been recognised  within the African and international scene, such as the Algerians Adel Abdessemed and Zineb Sédira, the Moroccans Mounir Fatmi and Yto Barrada, and the Egyptians Moataz Nasr and Ghada Amer, in Tunisia it is difficult to speak of two artists who have achieved a comparable reputation. Even if North Africa is not very well represented in the catalogued events of ‘contemporary African art’, Tunisia registers a significant absence in comparison with its neighbours.

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