Uche Okeke

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Uche Okeke’s Legacy Challenges the Ongoing Decolonisation of Art & Art History

Note: This was first published as “Art and the nation?” in Art South Africa 11(3): 52

Uche Okeke is widely regarded as a pivotal figure in modern Nigerian art. This accolade stems in large part from his leading role in the Zaria Art Society, an association of students formed in the years preceding political independence from Britain, who challenged the eurocentrism of the art curriculum taught at the Nigerian College of Arts, Science & Technology. In particular Okeke’s formulation of the notion of Natural Synthesis is frequently taken as a foundational moment in the orientation of modern Nigerian art, one that would find full fruition after his teaching appointment at the University of Nsukka in 1970.

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Creating New Conditions for Creativity: Mario Pissarra in conversation with Uche Okeke

Mario Pissarra & Uche Okeke, 10 July 2008

[This is an edited version of a recorded telephone conversation that took place on 10 July 2006. It formed part of a series of conversations conducted for From the Ground Up, the Reader developed for the Cape Africa Platform’s Trans Cape exhibition. Unfortunately, the publication of the Reader was held back indefinitely, as a consequence of the funding shortfall which saw Trans Cape being replaced by the Cape 07 exhibition. This version is identical to that which was prepared for publication. It should also be noted that Okeke has recently relocated to Lagos.]

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