Conversations

Owning your Liberation History: Nise Malange on the work and lessons of the Culture and Working Life Project

Note: Nise Malange, poet, activist, archivist and director of the BAT Centre, Durban, was interviewed by ASAI’s Mario Pissarra, Tasneem Wentzel and Scott Williams. The interview took place at the BAT Centre on 24 March 2017, and forms part of ASAI’s Community Arts Legacy Archive, funded by the National Lotteries Commission.

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Imvaba in the ‘hub of the struggle buzz’, an interview with Annette du Plessis

Mario Pissarra, 23 June 2017

ASAI: What were the factors that contributed to the establishment of Imvaba? How was Imvaba established?

ADP: Following in the footsteps of the 1970’s struggle, and more specifically during the mid-1980’s, as well as after the establishment of the United Democratic Front (UDF), a large number of activists from Port Elizabeth and surrounds, increasingly arose from the masses. In addition, the local establishments of workers unions were particularly taking off more.

The need for arts and cultural support in taking the anti-apartheid revolution forward was urgent. The local liberation movement needed new logos, banners, art backdrops, leaflets and pamphlets, t-shirts designs, resistance poetry and literature, as well as support from all other art disciplines – and Imvaba became a vibrant vanguard tool in the forefront of the Struggle.

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Africa’s Interlocutors: Lize van Robbroeck in conversation with Sylvester Ogbechie

Lize van Robbroeck & Sylvester Ogbechie, 13 September 2008

This is an edited version of an email exchange that took place in July 2006. It formed part of a series of conversations conducted for From the Ground Up, the Reader developed for the Cape Africa Platform’s Trans Cape exhibition. Unfortunately, the publication of the Reader was held back indefinitely, as a consequence of the funding shortfall which saw Trans Cape being replaced by the Cape 07 exhibition. The first and latter part of this conversation have previously been published by Prof Ogbechie on his blog, but has hitherto never been published in its entirety.

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Creating New Conditions for Creativity: Mario Pissarra in conversation with Uche Okeke

Mario Pissarra & Uche Okeke, 10 July 2008

[This is an edited version of a recorded telephone conversation that took place on 10 July 2006. It formed part of a series of conversations conducted for From the Ground Up, the Reader developed for the Cape Africa Platform’s Trans Cape exhibition. Unfortunately, the publication of the Reader was held back indefinitely, as a consequence of the funding shortfall which saw Trans Cape being replaced by the Cape 07 exhibition. This version is identical to that which was prepared for publication. It should also be noted that Okeke has recently relocated to Lagos.]

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Making History: Gavin Jantjes in conversation with Rasheed Araeen

Gavin Jantjes & Rasheed Araeen, 10 July 2008

This is an edited version of a recorded telephone conversation and email exchange that took place in July 2006. It formed part of a series of conversations conducted for From the Ground Up, the Reader developed for the Cape Africa Platform’s Trans Cape exhibition. Unfortunately, the publication of the Reader was held back indefinitely, as a consequence of the funding shortfall which saw Trans Cape being replaced by the Cape 07 exhibition. This version is identical to that which was prepared for publication, inclusive of references to the original context.

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On the Need to Consume: An interview with Manthia Diawara

Jessica Levin Martinez & Michael Tymkiw, 27 April 2008

This interview was originally published in the Chicago Art Journal and is reproduced here with permission from Manthia Diawara.

Manthia Diawara is Professor of Comparative Literature, Film and Africana Studies at New York University, where he also serves as Director of the Institute of African American Affairs. He has written extensively on literature and visual culture, and some of his best-known books include We Won’t Budge: An African Exile in the World (2003), In Search of Africa (1998), and African Cinema: Politics and Culture (1992). Diawara is also an acclaimed documentary filmmaker whose credits include Who is Afraid of Ngugi? (2006), Conakry Kas (2004), Bamako Sigi Kan (2002), Diaspora Conversation (2000), and Rouch in Reverse (1995).

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“Not Just Another Biennale”?

Susan Glanville-Zini (CEO of Cape Africa Platform) and Julian Jonker (Coordinator of Sessions Ekapa) in conversation with Mario Pissarra, 28 November 2005, Cape Town

The Cape Africa Platform promises to deliver a mega-event that will be “not just another biennale”. The first major element in their plan is a conference, Sessions Ekapa, which takes place in Cape Town from 6-8 December 2005. The conference theme is “(re)locating contemporary African art” and will be followed with a multi-disciplinary “Manifestation” in 2006.

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