Tagged as: Ditike foundation

Avhashoni Mainganye: tireless spirit

by Vonani Bila

Avhashoni Ntsengeni Frederick Mainganye Mundalamo is the prolific and versatile visual artist from Phiphidi. The village’s main marvel after Mainganye is surely the Phiphidi Falls which lie within a dense forest on the Mutshundudi River near Thohoyandou. Most people of his age are flabby with pot bellies and often complain about stiff and painful joints, backaches, arthritis, ceaseless headaches, diabetes, hypertension and gout. Not for the soft-spoken Shoni or Mainganye, as he is affectionately addressed by friends. He grew up eating the nutritious mopane worms – masonja – whose protein and iodine levels are super high. And yes, art has kept him young and vibrant. Diminutive in stature, the slim and energetic grey-bearded man wearing his not-so-long dreadlocks, a pair of jeans and a military cap is a hard working artist. His ID says he was born in 1960. I meet him dressed in his apron, busy at work, at the Thohoyandou Arts and Crafts Centre, outside Thohoyandou in Limpopo province. It’s a warm Saturday late morning.

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In conversation: Meshack Raphalalani, Avhashoni Mainganye and Jameson Ramvivhelo on the need to revive the VhaVenda Art Foundation and Ḓitike

Editorial note: This is a translated transcript of a conversation between former members of the VhaVenda Art Foundation, held on 5 August 2017 at the Victim Empowerment Centre, Thohoyandou, Limpopo. The original video recording (in TshiVenda) can be viewed on YouTube. The conversation formed part of a series of roundtable conversations with community arts networks active in the 1980s and early 1990s that have been convened by ASAI, with financial support from the National Lotteries Commission. Thank you to Gudani Ramikosi for the translation and transcription.

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