b. 1980, Kinshasa, Democratic Republic of Congo, lives in Cape Town, South Africa.
Patrick Bongoy’s sculptural works use discarded materials, such as rubber and industrial packaging, reflecting on the degradation of the earth’s natural resources, and those directly affected by and forced to improvise within this continued destruction and pollution.
I draw on the history of my roots in the Democratic Republic of Congo as well as the irony of contemporary urban degradation masked as development.
Through the recovery of waste materials such as inner tubes from vehicle tyres, industrial packaging and textiles combined with my use of paint and African fabric, I repurpose and reinterpret what others discard. Beyond the intentional recycling element of this process, the visual concepts I explore surface a range of the pertinent issues. Additional sculpted objects are superimposed on these layered backgrounds, which I create as a foundational canvas. This is also a visual referencing of some of the many laborious tasks undertaken by women in my country, in order to make ends meet.
I try to understand how the deterioration of natural and urban settings mirrors the visible rotting, displayed in the behaviour and habits of the population. Deprivation evidently continues to recreate further misery and desperation.
Although my work reflects a kind of beauty, it also describes the destruction of a place and a people where ethical values have been poisoned or fallen away, infecting human morality and dignity. The aftermath of several violent conflicts has created a nightmarish atmosphere where people relive those moments in an extreme state of vulnerability and resignation to this state of affairs.
My painted figures, always in silhouette, with their deformed limbs and precarious stances, twist and turn in such spaces. They evoke a sense of uncontrolled or dynamic movement captured in a disjointed moment, as if their bodies are mid-execution of a questionable act.
However, the internal versus external appearances and perspectives – what is seen in contrast to what is understood, becomes the site of re-imagination and unforeseen possibilities.
2005: State Diploma, Institute of Fine Arts, Kinshasa.
Solo Exhibitions (DR Congo and South Africa)
2019: Remains, Association of Visual Arts (AVA), Cape Town.
2017: Where are we? Where are we going?, EBONY/CURATED, Cape Town.
2012: BA Paper Collection, Cultural Center Muikka Theatre, Kinshasa
2012: BINGOTO, SADI collective space, Kinshasa.
Group Exhibitions (South Africa)
2018: Feso: A Thorn In The Flesh, (with Ronald Muchatuta), EBONY/CURATED, Cape Town.
2018: Cape To Tehran, Gallery MOMO, Cape Town; Johannesburg.
2018: Summer Exhibition, EBONY/CURATED, Cape Town.
2017: EBONY/CURATED booth, Art Africa Fair, Cape Town.
2016: What is the matter, EBONY/CURATED, Cape Town.
2016: That Art Fair, Cape Town.
2015: EBONY/CURATED, Franschoek, Cape Town.
2015: Présence Congolaise, Alliance Française, Cape Town.
2013: Fashion show, Central library, Cape Town.
Group Exhibitions (International)
2018: EXPO Chicago, (with Gallery MOMO), Chicago.
2017: 1:54 Contemporary African Art Fair, Nando’s & Spier Arts Trust, London.
2017: Feast Your Eyes, Nando’s UK, London.
2012: Plural Dimension, Center Wallonia-Brussels, Brussels.
Workshops and Performances
2012: Paper clothing design and construction, BA Paper Collection, Cultural Center Muikka Theatre, Kinshasa.
2012: Volunteer, Creative workshop for disadvantaged children and child victims of war, Foundation Star of Congo (FONECO), SADI collective space, Kinshasa.
2012: Workshop, Westerly wind (with playwright & filmmaker Kap’s Kapambu), SADI collective space, Kinshasa.
2012: Photography Workshop, (with Roël Jacobs), Kinshasa Académie of Fine Art, Kinshasa.
2011: The awakening of consciousness, performance, 24 November street, Kinshasa
2011: Performance, (with SADI collective), SADI collective space, Kinshasa.
2011: Residency, SADI collective space, Kinshasa.
Nando's South Africa.
SADI Collectif, DR Congo.
Binwe Adebayo, 2020, In conversation with the acclaimed Congolese artist at Stellenbosch Triennale
Africanah, 2018, Patrick Bongoy, DRC