Front Matter
Editorial: Locating ‘Localities,’ Mario Pissarra and Lize van Robbroeck
Claiming Space, Erica C Garber
Unsettling the Canon – Some thoughts on the design of Visual Century: South African Art in Context, Lize van Robbroeck
A Critical Analysis of the Proposed Sale of the Africa Collection at the Wereldmuseum Rotterdam, Chandra Frank
Head of an Anonymous Moor with ‘The Hide of a Black Cow,’ Mawande Ka Zenzile and Unathi L Sondiyazi
Branded Heritage: We need new names and Shoot to Kill, Lennon Mhishi and Dathini Mzayiya
The Ruins of Mount Coke: An inadvertent monument, Brenton Maart
September 11, 2013, Alfredo Jaar
Uncontained? The constraints of ahistoricism in the ‘opening’ of the Community Arts Project archive at the Centre for Humanities Research, Mario Pissarra
Uncontained and the Constraints of Historicism as Method: A reply to Mario Pissarra, Heidi Grunebaum
On Clouds with Hard Centres, Clare Butcher
African Art Studies in Kenya, Kwame Labi
Editorial: Locating ‘Localities,’ Mario Pissarra and Lize van Robbroeck
Claiming Space, Erica C Garber
Unsettling the Canon – Some thoughts on the design of Visual Century: South African Art in Context, Lize van Robbroeck
A Critical Analysis of the Proposed Sale of the Africa Collection at the Wereldmuseum Rotterdam, Chandra Frank
Head of an Anonymous Moor with ‘The Hide of a Black Cow,’ Mawande Ka Zenzile and Unathi L Sondiyazi
Branded Heritage: We need new names and Shoot to Kill, Lennon Mhishi and Dathini Mzayiya
The Ruins of Mount Coke: An inadvertent monument, Brenton Maart
September 11, 2013, Alfredo Jaar
Uncontained? The constraints of ahistoricism in the ‘opening’ of the Community Arts Project archive at the Centre for Humanities Research, Mario Pissarra
Uncontained and the Constraints of Historicism as Method: A reply to Mario Pissarra, Heidi Grunebaum
On Clouds with Hard Centres, Clare Butcher
African Art Studies in Kenya, Kwame Labi