Mario Pissarra, 7 June 2007
I have previously argued that Africa’s representation in Venice is irrelevant when compared to the need to develop alternatives at ‘home’. In essence my argument is that we should not judge the success of South African art (or African or ‘non-western’ art for that matter) by its presence or absence in the prime venues of the ‘international’ arena, of which the Venice Biennale is both a leading example and symbol. The health of a country’s art should not be judged by the number of international ‘stars’ it generates, since this may provide a false picture of the state of art in that country or region. Rather it should be evaluated on the quality and extent of its art practice, galleries and museums, art education, publishing, patronage, and all the critical components of art infrastructure that are essential for the development of art.