Recalling Community Mural Projects

by Thami Jali

My first encounter with mural painting happened in 1990 when I went to Britain as one of ten South African artists who were invited to paint murals at the Institute of Contemporary Arts in London. South Africa, by that time, was still divided into four provinces: Natal, Transvaal, Orange Free State and the Cape. The group included artists such as David Koloane [group leader], Helen Sebidi, Sophie Peters, Louise Almon and Bhekisani Manyoni [each artist representing their respective province]. Menzi Mchunu and myself represented Natal.

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Thami Jali: Restless Spirit

by Jenny Stretton

This text was first published by Durban Art Gallery in conjunction with the exhibition ‘Thami Jali: Restless Spirit’, 2014.

Thami Jali’s story is so much about South Africa’s recent past: the fractured nation, its diverse cultures, seemingly endless journeys and the hunger for an authentic artistic home. His search for an aesthetic he could truly call his own took him from Durban’s Clermont township to Zululand; Nelspruit; Rorke’s Drift; Johannesburg; London; New Delhi and finally back to Durban to the house he grew up in. Called a renaissance man by those who’ve watched his career Jali is multi-talented, equally at home behind the wheel or at a canvas. But it’s the way this artist has interrogated South African society that informs his vision: he’s lived on the street, eschewed popular politics for artistic integrity, and given back to his students far more than he ever took.

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Owning your Liberation History: Nise Malange on the work and lessons of the Culture and Working Life Project

by Nise Malange, Mario Pissarra, Tasneem Wentzel and Scott Williams.

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Note: Nise Malange, poet, activist, archivist and director of the BAT Centre, Durban, was interviewed by ASAI’s Mario Pissarra, Tasneem Wentzel and Scott Williams. The interview took place at the BAT Centre on 24 March 2017, and forms part of ASAI’s Community Arts Legacy Archive, funded by the National Lotteries Commission.
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