ASAI members at AGM, November 2018
Africa South Art Initiative (ASAI) began in 2005, concerned with the lack of engagement by South African artists, art historians and curators with their peers on the African continent. Since then ASAI has begun to understand its role as both a pan-African project as well as an initiative located in the global south. The resources generated by ASAI represent a modest contribution towards the development of discourses rooted in (rather than imposed on) formerly colonised contexts, especially in Africa, in order that a more inclusive vision of international art and art history can emerge, informed from ‘below’. Based at the University of Cape Town since 2008, but not funded by or affiliated to the university, ASAI sees its role as bridging academic and popular discourse, with artists being central to this process.
Annual General Meetings
ASAI relies on donors for their support for its ongoing projects. Special thanks extend to the following organisations for their commitment to the Africa South Art Initiative :
ASAI is registered both with CIPRO as a Section 21 Company and as a Public Benefit Organisation with SARS. Registration number :2008/004687/08 l PBO
number: 930 027 865
Present members of staff
Thulile Gamedze – researcher (part-time, 2020-).
Thulile Gamedze is a Johannesburg-based practitioner, working with reading and writing, drawing, curating, and teaching. Her work is moved by the pedagogical, social and creative interventions that Queer assumptions and Black Consciousness politics make possible.
Khumo Sebambo is a freelance writer and curator based in Joburg. Her practice as a curator explores collective memory, nostalgia and popular culture with a special interest in textile arts. Khumo’s writing has appeared in publications such as ArtThrob, ArtAfrica and the Art Momentum.
Mario Pissarra – managing director (2008-).
Mario Pissarra is an art historian and founding director of ASAI. His publication credits include editor-in-chief of the four-volume Visual Century: South African art in context, 1907-2007 (Wits University Press, 2011); editor of the multi-authored Awakenings: The art of Lionel Davis (ASAI, 2017); author of Against the Grain: Sculptors from the Cape (ASAI, 2013); and co-editor of the online journal 3rd Text Africa, published by ASAI. He is a Postdoctoral fellow at the University of Stellenbosch, and has a PhD from the University of Cape Town for his thesis, Locating Malangatana: Decolonisation, aesthetics and the roles of an artist in a changing society (2019).
Past staff members
Vanessa Anaya (2013)
Andre Barnard (2009-15)
Michaela Clark (2017-18)
Justin Davy (2015-18)
Jarrett Erasmus (2013-14)
Gabrielle Goliath (2015)
Natasha Himmelman (2013-16)
Vivien Kohler (2010-11)
Carmen le Roux (2009)
Fiona Mauchan (2010-11, 2017-20)
Tony Mhayi (2010-11)
Jade Nair (2013)
Thembinkosi Ncube (2015-18)
Tambu Ndlovu (2011-12)
Loyiso Qanya (2013)
Theo Sonnekus (2020)
Ronnell Swartbooi (2010)
Greer Valley (2015-16)
Nosipho Vinqishe (2010)
Tasneem Wentzel (2017)
Ernestine White (2014)
Charne Willemse (2011)
Scott Williams (2014-18)
Jill Williams (2010)
Lukho Witbooi (2020)
Glen Arendse Artist and musician. Director, Cape Town Community TV.
Farzanah Badsha Freelance arts administrator and curator.
Charl Bezuidenhout Director, World Art Gallery.
Garth Erasmus Artist. Trustee, Greatmore Artists Studios.
Randolph Hartzenberg Artist and art educator.
Russel Hlongwane Arts administrator and creative industries consultant. Director, ASAI.
Zemba Luzamba Artist.
Nomusa Makhubu Artist, curator, and lecturer, Michaelis School of Fine Art, UCT. Director, ASAI.
Anthony Mhayi Artist and art educator. Art Facilitator/ Field Manager, Lalela Project.
Mario Pissarra Art historian. PhD candidate, University of Cape Town. Managing director, ASAI.
Maurice Mbikayi Artist.
Donald Parenzee Architect and poet.
Ayesha Price Artist and art educator. Director, ASAI.
Lize van Robbroeck Art historian. Associate Professor, Department of Visual Arts, University of Stellenbosch.
Greer Valley Curator, activist, and PhD candidate. Director, ASAI.
Donovan Ward Artist. Director, ASAI.
Ernestine White Artist. Curator, Iziko South African National Gallery.
Scott Williams Artist and photographer.
ASSOCIATE MEMBERS (at this point this category comprises former members of ASAI who are no longer active in the organisation, but wish to remain associated with ASAI. Associate members are welcome to participate in meetings of membership, but are not required to attend)
Andre Barnard, Gill Cowan, Michael Godby, Liesl Hartman, David Hlongwane, Jill Joubert, Dathini Mzayiya, Siona O’Connell, Sonya Rademeyer, Tracey Saunders, Athena Sotomi
Board of Directors
ASAI is governed by a board of directors:
Russel Hlongwane (chairperson). Elected 2019 (former treasurer, 2017-19)
Nomusa Makhubu (deputy-chairperson). Elected 2018 (former chairperson, 2015-18).
Mario Pissarra (managing director). Appointed 2008.
Ayesha Price (membership). Elected 2018 (director since 2014; former chairperson, 2018-19).
Greer Valley (secretary). Co-opted 2017, elected 2018.
Glen Arendse (2010-12).
Farzanah Badsha (2010-16), former secretary.
Charl Bezuidenhout (2012-18), former treasurer.
Gill Cowan (2008-10).
Garth Erasmus (2008-10), former chairperson.
Liesl Hartman (2010-12).
Tony Mhayi (2008-10).
Dathini Mzayiya. (2008-10, 2015-16).
Siona O’Connell (2012-14), former chairperson.
Donald Parenzee (2012-14).
Tracey Saunders (2008-12), former treasurer and chairperson.
Athena Sotomi (2008-10), former chairperson.
Lize van Robbroeck (2016-18), former deputy-chairperson.
Donovan Ward (2010-18)
The following distinguished individuals accepted invitations from ASAI to become honorary patrons. Patrons contribute directly to ASAI mostly in advising future projects and supporting ongoing fundraising efforts.
Dr. Rasheed Araeen
Artist and Founding Editor of Third Text, London, UK. Publications include Making Myself Visible (1984) and Art Beyond Art (2010). Curated The Other Story: Afro-Asian Artists in Post-War Britain at the Hayward Gallery, London (1989).
Retired clinical psychologist and former Director General of Education, RSA (1994-1999). Publications include biographies of Es’kia Mphahlele (1983, 2010), Gerard Sekoto (1996, 2004) and Dumile Feni (2012).
Independent curator and critic. Former editor of Gallery magazine, Zimbabwe. Curated Transitions: Botswana, Namibia, Mozambique, Zambia, Zimbabwe 1960-2004 for the Africa Centre, London (2005); and co-curated Dak’Art, Senegal (2006).
Chair of Africana Studies and Professor of the graduate program of Philosophy, Interpretation and Culture at the University of New York, Binghamton, USA. Founded www.africaresource.com and www.ijele.com . Publications include Contemporary Textures: Multi-dimensionality in Nigerian Art (1999).
Sylvester Okwunodu Ogbechie
Associate Professor, Department of History of Arts and Architecture, University of California, Santa Barbara, USA. Founder and editorial director of Critical Interventions: Journal of African Art History and Visual Culture. Publications include Ben Enwonwu: The Making of an African Modernist (2008) and Making History: African Collectors and the Canon of African Art (2011).
Director, Origins Centre, University of Witwatersrand. Former Director, Arts, Culture and Heritage Services, City of Johannesburg, and former Director of Cultural Industries, Department of Arts & Culture, South Africa. Curated The Neglected Tradition: Towards a New History of South African Art at the Johannesburg Art Gallery (1988).
The late Prof Uche Okeke was also a founding patron of ASAI.
Vision, Mission and Values
To be a leading research based visual arts organisation, globally recognised for developing an effective website and for innovative projects.
- To generate quality resources on art in Africa for educational and professional contexts
- To provide a platform for current debate and polemics in the fields of art and art history in Africa
- To serve as a point of contact between scholars and art practitioners across the African continent and abroad.
- Accessibility & inclusivity: ensuring that our projects are accessible to all constituents & create opportunities for meaningful participation.
- Relevance: ensuring that our work is relevant for African and developing contexts.
- Innovation: promoting a culture of creativity, imagination, initiative, resourcefulness & collaboration in recognition of the necessity to share resources & develop innovative solutions.
- Inclusive africanism: promoting critical engagement with what it means to be African in the contemporary, postcolonial, globalised context.