Garth Erasmus: the knots of time and place

by Valeria Geselev

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“I was Simply Never Part of The Dance. I Was a Wall Flower.”

I can’t recall the first time I met Garth Erasmus. It might have been in 2014 at one of his performances with As Is in Observatory, Cape Town. Or it could have been in 2015 at an exhibition opening or a workshop hosted by Greatmore in the neighbouring Woodstock. He was around being active, and I was around being curious. [1]

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