Joe Turpin

b.1995 Johannesburg, South Africa; lives in Johannesburg.

Joe Turpin is an artist whose research practice focuses on historically charged narratives and semiotics as expansions of painting. Joe makes mixed-media installations grounded in painting that create temporal conversations about identity, memory, and history. Turpin graduated from the Pratt Institute in New York in 2023 with an MFA in Painting & Drawing, and from the University of the Witwatersrand in Johannesburg in 2018 with a BA in Fine Art.

Education

2023: MFA Painting & Drawing, Pratt Institute, New York
2018: BA (Hons) Fine Art, University of the Witwatersrand, Johannesburg

Solo Exhibitions

2024: Complicit Victim: On the Margin of the Shoah, Cape Town Holocaust & Genocide Centre, Cape Town
2024: Striking Roots, Lusaka Contemporary Art Centre, Lusaka, Zambia
2024: Set in Stone, South African Jewish Museum, Cape Town
2023: Complicit Victim: On the Margin of the Shoah, Durban Holocaust & Genocide Centre, Durban
2023: When the Dust Settles, NWU Gallery, North West University, Potchefstroom
2021: More Than We Can Bear, Bag Factory Artists' Studios, Johannesburg
2021: Complicit Victim: On the Margin of the Shoah, Johannesburg Holocaust & Genocide Centre, Johannesburg
2017: Pop (T)Art!, Ants Parkhurst, Johannesburg
2016: No Holding Bars, Constitution Hill, Johannesburg

Group Exhibitions (International)

2023: Making Place, Thesis Exhibition, Pfizer Building, Pratt Institute, New York, United States (in fulfilment of MFA Degree)
2019: London Summer Intensive Residency Showcase, Camden Arts Centre, London, England
2018: Larroque Arts Festival, Galerie La Vieille Poste, Larroque, France
2017: Protest Stickers, Metal, Barbapapa et Armistice Exposition, Continuum espace de projet, Bordeaux, France
2017: 6th TSAI-MO Art Festival, Taichung City Tun District Art Centre, Taichung City, Taiwan
2017: Abstractive by Creative Debuts, The Black & White Building, Shoreditch, London, England
2016: What is the Future of Art?, Future Late, Tate Modern, London, England

Group Exhibitions (South Africa)

2023: Summer Salon, Bag Factory Artists’ Studios, Johannesburg
2023: Stairways & Ruins, ViNCO, NWU Gallery, North West University, Potchefstroom
2023: Reflections, Bag Factory Artist Studios', Johannesburg
2022: Hegemony, The Hart, Troyeville, Johannesburg
2022: Spier Light Art Festival, Spier Wine Farm, Stellenbosch
2021: Joburg Fringe, The Art Room Parkhurst, Johannesburg
2021: Bag Factory 30 Years: So Far, The Future, FADA Gallery, University of Johannesburg
2021: Meeting Places, Bag Factory Artists’ Studios x Guns & Rain Gallery, Oxford Parks Precinct, Johannesburg
2021: Paper, RMB Turbine Art Fair 2020 (Online)
2020: Coexistence, TMRW Gallery (The Mixed Reality Workshop), Johannesburg
2020: Summer Salon, Bag Factory Artists’ Studios, Johannesburg
2020: RMB Turbine Art Fair (Online), with Bag Factory Artists’ Studios
2020: Latitudes Art Fair (Online), with with Bag Factory Artists’ Studios
2020: Myopia, William Humphreys Art Gallery, Kimberley (Online) 
2019:  Summer Salon, Bag Factory Artists' Studios, Johannesburg
2019: IN:DIALOG Bez Valley, Moon Valley Studios, Johannesburg
2019: Everything’s For Sale, KZNSA Gallery, Durban
2019: Something Other - A Diversion In The Career Of The Artist, No End Contemporary Art Space, Johannesburg
2019: Winter Salon, Bag Factory Artists Studios, Johannesburg
2018: NEWWORK18, Wits Art Museum, Johannesburg (in fulfilment of BFA Degree)
2018: INBETWEEN, Hazard Gallery, Johannesburg
2016: Visible Tones, curated stream, part of ‘The Evidence of Things Not Seen’, Johannesburg Art Gallery, Johannesburg
2016: WakaWaka, AGOG Gallery, Johannesburg
2016: Expressions of Freedom, 2016 Basha Uhuru Freedom Festival, Constitution Hill, Johannesburg, curated by Kalashnikovv Gallery
2016: MUSTRISE, ArtEC Gallery, Gqeberha, (Travelled to National Festival of the Arts, Grahamstown, June 2016)
2015: Les is More Campaign, Gallery MOMO, Johannesburg
2015: Expressions of Freedom, 2015 Basha Uhuru Freedom Festival, Old Fort Constitution Hill, Johannesburg, curated by Kalashnikovv Gallery

Residencies

2024: Artist in Residence, Lusaka Contemporary Art Centre, Lusaka, Zambia
2020/2021: Artist in Residence, Bag Factory, Johannesburg, South Africa
2020: Artist in Residence, RAW Material Company, Dakar, Senegal
2019: London Summer Intensive, Slade School of Art & Camden Arts Centre, London, England

Awards

2022: Stutzman Foundation First Year MFA Fine Arts Awards for Three-Dimensional Art recipient
2018/19: Cassirer Welz Award finalist (Top 3)

Reviews & Articles

2024: Philip Todres, Joe Turpin - Set in Stone at SA Jewish Museum, MapMyWay
2023: CreativeFeel, When The Dust Settles | Preserving the Memory of a Lost Community, Creative Feel
2019: Nkgopoleng Moloi, Joe Turpin in the Depths of Art through Historical Narratives, Semiotics and the Expansion of his Painting Practice, Artskop

Links

Joe Turpin's website

Eunice ‘Tshidi’ Sefako

b.1962, Smithville, Free State; d.2021

Eunice ‘Tshidi’ Sefako was one of a small number of Black South African women artists that emerged in South Africa during the 1980s. She was associated with the Community Arts Project (CAP) where she excelled in painting, printing and ceramic sculpture. Sefako taught art for many years, initially in townships under CAP’s Children’s Art Programme, and later on, for many years, to kids with intellectual disabilities.

Education

1985–1987: Community Arts Project (CAP), Cape Town.
1990: Course for Cultural Workers (setting up Community-based arts organisations), Community Arts Project (CAP), Cape Town.

Group Exhibitions (South Africa)

2022: When Rain Clouds Gather: Black South African Women Artists, 1940–2000, Norval Foundation, Cape Town.
2012: Uncontained: Opening the Community Arts Project archive, ArtB, Belville, Cape Town; Iziko South African National Gallery, Cape Town.

Group Exhibitions (International)

1990: Group Mural Painting, Institute of Contemporary Arts (ICA), London.

Publications

2020: Mario Pissarra, "The Community Arts Project: legacies and limitations of an arts centre," Third Text Africa 12 (August 2020): 33–53.
2013: Mario Pissarra, "Uncontained? The constraints of ahistoricism in the ‘opening’ of the Community Arts Project archive at the Centre for Humanities Research," Third Text Africa 3, no. 1 (November, 2013): 56–85.
2012: Heidi Grunebaum and Emile Maurice (eds), Uncontained: Opening the Community Arts Project archive, (Cape Town: Centre for Humanities Research, University of the Western Cape, 2012).
1989: Gavin Younge, Art of the South African Townships, (New York: Rizzoli, 1989)

Cultural Work & Employment

late 1980s, early 1990s: Children's Art Programme, Community Arts Project, Cape Town.
1995: ‘mural’ commission from CAPAB (later Artscape) to serve as a fire curtain for opera stage (with Trish de
Villers, Sophie Peters, Xolile Mtakatya, and Matshabalala Mkonto)
Set Painting, Artscape Theatre, Cape Town.
Art Teacher, Athlone School for the Blind, Cape Town.
Art teacher, Molenbeek Special Education School, Maitland, Cape Town.

Motlhoki Nono

b. 1998 in Mabopane, Pretoria. Lives in Johannesburg, South Africa.

Motlhoki Nono uses video and printmaking as tools to investigate the textures of intimacies and violences that are implicated in romantic love. She defines her practice as a decolonial and sociological enquiry into love, exploring how love manifests at the intersection of race, class and gender.

Education

2017-2020: Bachelor of Fine Arts, Honours, University of the Witwatersrand, Johannesburg
2016: Matriculated, Prestige College, Pretoria

Exhibitions

2024: Kissing Studies, David Krut Projects, Johannesburg, South Africa
2023: The Weight of a Kiss, Ernest Cole Award, 70 Juta Street, Braamfontein, Johannesburg, South Africa
2021: 40 under 40, WhatIfTheWorld x Krone, Twee Jonge Wine Estate, Tulbagh, South Africa
2021: Unusual Suspects, African Artist’s Foundation, Lagos, Nigeria
2021: Home For the Holidays, Danger Gevaar Ingozi, Johannesburg, South Africa
2020: Tactile Visions–Woven, Turbine Art Fair (Online), Johannesburg, South Africa
2020: The Nonrepresentational, Stevenson Gallery (Online), Johannesburg, South Africa
2020: Now-Now, Gallery 114, Portland, USA
2020: NeWWork, The Point of Order (Graduation Show), Johannesburg, South Africa
2019: Art of Dining, Gemeli, Johannesburg, South Africa
2018: Blvck Blvck, The Artivist, Johannesburg, South Africa
2017: Blvck Blvck, The Artivist, Johannesburg, South Africa

Video Screenings

2021: Lovers in a Dangerous Spacetime, Christian Nyampeta, Galerie für Zeitgenössische Kunst, Leipzig, Germany
2021: African Femenisms Conference, University of Cape Town, Cape town, South Africa
2021: City SALTS: Boda Boda Lounge, SALTS, Basel, Switzerland
2021: Re/Projections: Video, Film, and Performance for the Rotunda, Gugghenheim, New York, USA
2020: Now Bite The Hand That Feeds You, Boda Boda, Tangier, Morocco

Residencies, Awards & Honours

2022: Ernest Cole Award
2021: Leipzig International Art Programme Residency, Leipzig, Germany
2021: Thami Mnyele Fine Arts Awards, Lizamore Prize African Artists Foundation Artist Grant
2020: Nataal Media Top 10 Emerging Creatives
2020: SARB Art Scholarship
2020: Design Indaba Emerging Creatives
2020: Anya Millman Scholarship for outstanding practical work in Fine Arts
2020: Giovanna Millner Scholarship for distinguished postgraduate and undergraduate work in Fine Arts and History of Art
2019: Thami Mnyele Fine Arts Awards Top 100
2019: WSOA Fine Art Certificate of First Class
2019: WSOA Drawing and Contemporary Practice Certificate of Merit
2016: WSOA Fine Art and Drawing and Contemporary Practice Certificate of First Class 

Invited Talks

2021: African Feminisms Conference–Claiming Breath, University of Cape Town, Cape Town, South Africa
2020: Black Women in Contemporary Art, Thabo Mbeki Foundation, Women's Day Conference, Turffontein, South Africa
2019: On the Utility of Hands and Holding: A Discussion on Love, Work and Space, KZNSA Gallery, Durban, South Africa
2019: Art Investments, Fourways, Johannesburg,  South Africa

Press

On Love, Materiality and Function, Creative Feel, 2021.
Grad Guide 2021, Between 10 and 5, 2021. 
Nkgopoleng Moloi, Can 'The Nonrepresentational' prove a new model for artists and galleries? Mail & Guardian, 2020. 
Miriam Bouteba, Eyes to the Future, Nataal, 2020. 

Nyakallo Maleke

b.1993 Johannesburg, South Africa; lives in Johannesburg.

Nyakallo Maleke is a Johannesburg-based interdisciplinary artist and writer. Currently, she works primarily with large scale, mixed-media drawing processes, often using pastel, sewn thread and charcoal in textured explorations of space, surface, and colour. 

Not Every Flower Blooms Under Harsh Light

2018. Performance in Italy.

 


you may need to fit into the team, the team may not fit into you – Lehae

2017. one part of two channel video, 15:00.


you may need to fit into the team, the team may not fit into you – Hae

2017. one part of two channel video, 15:07.

Education

2023: ASAI Print Access Workshop, Wits School of Arts, Johannesburg.
2019: Master of Arts HES-SO/ MA (Art in Public Spheres), école de design et haute école d’art du Valais, Sierre, Switzerland.
2016: Asiko International Art School Alumni, Addis Ababa edition, Ethiopia.
2015: Bachelor of Arts in Fine Arts (Honours), The University of the Witwatersrand, Johannesburg.

Solo Exhibitions

2023: Making Sense of the Same Story, Bag Factory Artists' Studios, Johannesburg.
2016: Leaning Towards an Edge that Does Not Leak, John Muafangejo Art Centre Art Season, Namibia, (City Centre and Katutura) Windhoek.

Group Exhibitions (International)

2019: AfroLuso Residency Exhibition, Modzi Arts Gallery, Lusaka, Zambia.
2019: Masters Graduation Exhibition, USEGO, Sierre, Switzerland.
2018: Live Works Vol 6, Performance Act Award, Centrale Fies: Drodesera Festival, Dro, Italy.
2018: Group Exhibition, MAXX Space, Sierre, Switzerland.
2018: The Dog Done Gone Deaf: The Sonic Cosmologies of Halim El Dabh, 13th Dak’art Biennale, Musee IFAN, Dakar, Senegal.
2016: Here and Here, Asni Art Gallery, Addis Ababa, Ethiopia.

Group Exhibitions (South Africa)

2021: A Cloud, Studio Nxumalo/Gallery 2, Johannesburg.
2021: The Problem with Contemporary African Art is...? Studio Nxumalo/Meta Foundation Gallery, August House, Johannesburg
2021: The Cultural Life of Spaces, Association of Visual Artists Gallery, Cape Town.
2021: Territories Between Us, Iziko Museums, Cape Town.
2021: Handle With Care, Javett Art Centre, University of Pretoria, Pretoria.
2021: Emergence, Forms Gallery, Online.
2021: Monotypes...A Monotypebabe Experience, Bag Factory Artists’ Studios, Johannesburg.
2020: An Exhibition In Several Acts/ A Lexigram Of Ideas, August House Gallery, Johannesburg.
2019: FSTOP CLUB Zine and Self-Publishing: Edition Three, Market Photo Workshop. Johannesburg.
2017: Untitled, [Mural Project], Stevenson Gallery, Johannesburg
2017: The New Parthenon, Stevenson Gallery, Cape Town
2016: Sorry, Please Try Again, Cape Town.
2016: HERE WE, by Dorothee Kreutzfeldt, ROOM Gallery & Projects NPC, Johannesburg.
2016: Nothing Gets Organised (NGO), Nothing Gets Organised, Johannesburg.
2015: RAMP, Stevenson Gallery, Woodstock Cape Town
2015: Even Younger Than, Assemblage, Johannesburg.
2015: Newwork15, Graduate Show, Wits Art Museum, Johannesburg.
2014: Thirteen Fourteen, Substation Gallery, University of the Witwatersrand, Johannesburg.
2014: Ideally, Substation Gallery, University of the Witwatersrand, Johannesburg.
2014: One thousand Nine Hundred and Thirty, Hotel Bannister Basement, Johannesburg.

Performances

2018: Not Every Flower Blooms Under harsh light, Drodesera Festival, Dro, Italy
2018: Performing Scores, 13th Dak’art Biennale, Dakar, Senegal.

Residencies

2020: Foundation Opale Residency, Sydney, Australia.
2019: AfroLuso Modzi Residency, Lusaka, Zambia.
2018: Centrale Fies: Live Works Vol.6, Performance ACT Award Residency, Trento, Italy.
2016: Àsíko International Art Programme, CCA Lagos, Addis Ababa, Ethiopia.

Awards

2019: The Excellency Prize of HES-SO University of Applied Sciences and Arts of Western Switzerland
2014: Recipient of the Martienssen Prize (currently known as The Wits Young Artist), Wits School of Arts, Johannesburg, South Africa

Presentations

2020: When Drawing has to Move, [a drawing class], in_herit Festival, Iziko Museums, online. 

Reviews & Articles

2021: Olga Speakes,  Impossible Encounters: "Territories Between Us" at ISANG, Artthrob
2018: Gemma Hart, School of Anxiety // Processes of (Un)learning in Collaborative Art Praxis, BubblegumClub
2017: Christopher McMichael, NOTHING GETS ORGANISED - Spaces of Freedom, BubblegumClub
2016: Martha Mukaiwa, John Muafangejo Season Art, Archivism and Activism, The Namibian

Links

Nyakallo Maleke's website.
Nyakallo Maleke's page on the FORMS Gallery website.
Rafique ‘Rafs’ Mayet

Rafs Mayet

b. 1955, Durban, South Africa; lives in Durban.

Rafs Mayet is a South African photographer whose career began in the early 1980s as a member of the Afrapix collective. Mayet is well known for documenting local communities, notably in Durban’s Warwick Triangle, and for his documentation of political gatherings and marches. He is particularly acclaimed for photographing live performances by jazz musicians, with much of this work centred on the iconic Rainbow club in Pinetown.

Artist Statement: Jazz photography

I’ve been documenting jazz and jazz musicians at various venues around the country, since the mid eighties. 

However, most of my initial work has been done at a place in Pinetown, near Durban, called the Rainbow Restaurant and Jazz Club, which has been operating as such since December 1981! It’s a place that came to epitomise what our society could become given the right circumstances. As one of the first places that were opened to all in the dark old days, it set out to become a meeting place where all could gather around their love of jazz music, the common uniting denominator in difficult times.  

It was a place attended by all types - the academics, activists, trade unionists, journos, but mostly workers from the area - providing a haven for jazz-loving people and helping to keep the music alive, as one of the oldest running venues in the country. The Rainbow (before that word became embedded in our psyche, and long before it became a cliché here at home) has hosted most of South Africa’s finest musos at some stage of their careers, and has also held gigs featuring indigenous musicians, like Ladysmith Black Mambazo, the Mahotella Queens, Malombo and others. 

I’ve been privileged to witness several of these concerts and have visually recorded many of them, thus creating a large archive for posterity! I have also been photographing other music forms around the country, but it's jazz music, in all its variations, that really interests me! I also have a large selection of photographs of South Africans who have either studied, worked or lived in America. These include notable figures like Abdullah Ebrahim, Jonathan Butler, Vusi Mahlasela, Ian Herman, Tony Cedras and others. 

Solo Exhibitions (South Africa)

2003: Chillaxing in the Districts, The Cupboard Gallery, Durban.
1998: Look and hear, NSA Gallery, Durban.

Group Exhibitions (South Africa)

2018: The Art of Activism, Durban Art Gallery, Durban.
2016: Between States of Emergency, Iziko South African National Gallery, Cape Town.
2013: Lights, Camera, Fire, artSPACE Gallery, Durban.
2000: Every Child is my Child, African Window Museum, Pretoria.
2001: North Sea Jazz Festival, Cape Town.
2000: North Sea Jazz Festival, Cape Town.
1999: Photographs Denied, Iziko South African National Gallery, Cape Town.
1999: North Sea Jazz Festival, Cape Town.
1996: Meeting Grounds, the Durban Centre for Photography, Durban.
1993: The Literacy and Education, Grahamstown .
1991: Culture and Working Life, Durban.

Group Exhibitions (International)

1998: Telling Time, Bamako Encounters: African Biennale of Photography, Bamako, Mali
1998: Blank: Architecture and Apartheid, Netherlands Architectural Institute, Rotterdam.
1990: Zabalaza Festival, London.

Career

1994: Volunteer, Independent Electoral Commission, South Africa.
1989: Photographer, The New African, Durban.
1988: Member, Afrapix Collective, Johannesburg.
1984: Photographer, Daily Dispatch, East London.

Writing

Mayet, R. “Jazz for the struggle and the struggle for jazz”, New Frame, 15 May 2020.
Mayet, R. “Fataar could have had a rock star ego but didn’t”, New Frame, 24 January 2020.
Mayet, R. “Why we need a jazz photography archive”, Mail & Guardian, 15 March 2019.
Mayet, R. “The portfolio”, Mail & Guardian, 30 April 2019.
Kim Karabo Makin

Kim Karabo Makin

b. Gaborone, Botswana, 1994. Lives and works between Gaborone and Cape Town.

Kim Karabo Makin is a multidisciplinary artist and her practice combines sculpture, sound and installation, with a research base and unique spatial awareness. Her work is informed by her multiculturalism — with particular attention to the role that context plays in identity formation. Kim Karabo Makin is a founding member of the Botswana Pavilion, an artist collective interrogating Botswana’s creative identity. 

Education

2019–present: Master of Fine Arts, Michaelis School of Fine Art, University of Cape Town, Cape Town. 
2018: Bachelor of Arts in Fine Arts, Michaelis School of Fine Art, University of Cape Town, Cape Town.

Group exhibitions

2020: Home is where the art is, Zeitz MOCAA, Cape Town.
2020: The Mutha_Ship Landing, Salt River, Cape Town.
2020: The Botswana Pavilion: Collective Ties, Pro Helvetia Johannesburg [online exhibition].
2020: Past Present Currents, presented by Re-Curators for Latitudes Art Fair [online exhibition]. 
2020: Michaelis Masters Showcase, RMB Turbine Art Fair [online exhibition]. 
2019: Graduate Exhibition, RMB Turbine Art Fair, Johannesburg.
2019: The Botswana Pavilion: Subjective Nationhood, Botswana National Art Gallery, Gaborone.
2019: The Botswana Pavilion: No Return, Gallery MOMO, Cape Town.
2019: Formally Known As, Association for Visual Arts Gallery, Cape Town.
2018: Grad Show 2018, Michaelis School of Fine Art, Cape Town.
2018: 2018 Absa L’Atelier, ABSA Art Gallery, Johannesburg.
2018: The Devil Loves When We Loathe Ourselves, 99 Loop Gallery, Cape Town.
2017: The changing realities in which we live at UCT, Molly Blackburn, University of Cape Town, Cape Town.
2015: Return to Sender, Centre for African Studies (CAS) Gallery, University of Cape Town, Cape Town.

Panels

2020: Moderator, Collective Ties: methods for creative and cultural exchange in the region, British Council, Johannesburg. 
2020: Panelist, Culture, Tourism and the New Narrative, World Bank Art Program. 

Reviews

2019: Mashabela, Khanya, Subjective Nationhood: ‘The Botswana Pavilion: No Return’ at Gallery MOMO.
2019: Fisher, Tyrone, Batswana Artists Exhibit Their Work at Gallery Momo in Cape Town.
2019: Art Meets TV, The Botswana Pavilion: No Return, YouTube.

Links

Craig Masters

b. 1963, Cape Town, lives in Cape Town.
Craig Masters, an artist and graphic designer from Cape Town, was involved with the Cape Flats Art Group, and has been making work since the 1980s. He believes that “imagination is the true powerhouse of the mind” and this certainly comes through in his paintings, which are stylistically unique within South Africa’s art scene. Masters depicts people and social scenes embedded in landscapes, sometimes urban and rural, and sometimes dreamlike and otherworldly.

Education

1995: Graphic Design Training Course, Qurack Express, Lads Freehand and Photoshop, Hirt and Carter, Cape Town.
1995: Diploma, Practical Animation, Kaleidoscope Studio, Cape Town.
1984: Diploma, Fine Art and Graphic Design, Battswood Training College, Cape Town.

Group Exhibitions (South Africa)

1998: Parliament’s Opening Exhibition, Houses of Parliament, Cape Town.
Year: The Legacy of Steve Biko, (with Cape Flats Art Group), District Six Museum.
1996: Mural Project, District Six Museum, Cape Town (visited by United States Vice President Al Gore).
1992: Art in Publishing Exhibition, Town Square, Cape Town.

Group Exhibitions (International)

2000: Art Afri, Cultura Group, Bern.

Commissions

2003: Billboard design, Joseph Stone Auditorium Play, Cape Town.
2000s: Painting, Iziko Slave Lodge, Cape Town.

Awards

2010: First Prize for animation, The Lion and the Elephant, One Minute Awards, Amsterdam.
1993: Runner up, Upbeat Story Group Comic Competition, South Africa.

Workshops

1995: Thupelo Workshop, Cape Town.
1992: Charcoal Animation workshop with William Kentridge, Iziko National Gallery, Cape Town.

Publications

1988: Gavin Younge, Art of the South African Townships, Random House Incorporated, Michigan.
2011: Mario Pissarra (ed), A Visual Century, South African Art in Context, Volume 3: 1973–1992, Wits University Press, Johannesburg.

Career

Current: Freelance fine artist and graphic designer
Current: Visual Arts Teacher, Build a Better Society (BABS), Cape Town.
2006 – 2010: Report Writer, South African Film and Publication Board, Cape Town
(work also included publication examination for age restriction recommendations, commercial storyboard production, and collaboration with Paradox Animation for FPB Awareness Clip.)
2001 – 2007: E-learning course design for companies, Laragh Courseware, Cape Town.
1995: Storybook and Textbook illustrator, Hirt and Carter, Cape Town.
1995: Storyboard artist, Network Agency, Cape Town.
1995: Mural painter, Artwork co-ordinator for al Gore 1995 visit, District Six Museum, Cape Town.
1995: Visual Arts Teacher, Build a Better Society (BABS), Cape Town.
1994: Film Technician, Nautilus Film Studio, Cape Town.
1994: Temp Cartoonist, South Newspaper, Cape Town.
1994: Storyboards and Rendering, Berry Bush, Cape Town
1985 – 1994: Assistant Make-up, Display Forms, Cape Town.

Other Involvement

2010: Produced The Lion and the Elephant 01:00 animation, Greatmore Studios, Cape Town.
1992: Member, South African Publishers’ Association, Cape Town.
1991: Volunteer Visual Arts Teacher, Blackheath Primary School, Cape Town.
1988: Judge, Tygerberg Eistedfod, Cape Town.
Alka Dass

Alka Dass

b. 1992, Durban, South Africa. Lives in Johannesburg.

Alka Dass is a multidisciplinary artist who draws inspiration from Hindu mythology and rituals. Dass uses archival imagery to investigate the cultural and psychological spaces that are traditionally assigned to females in Desi culture. 

Education

2016: National Diploma, Durban University of Technology, Durban.

Work Experience

2016-2017: Gallery Assistant, Loading Bay Gallery, Durban.
2016: Assistant, Durban University of Technology, Digital Sculpture Festival, Durban.
2011-2013: Art and Craft curator, Holy Family College Collage, Durban.

Solo Exhibitions

2024: The Million Petaled Flower of When You Were Here, Church Projects, Cape Town.
2019: When I Was a Child I Thought the Moon Followed Me, 99 Loop Gallery, Cape Town.
2019: Where does the pain go when it goes away?, Lizamore and Associates, Johannesburg.
2018: Alka Dass, The Project Space, Investec Cape Town Art Fair, Cape Town.

Group Exhibitions

2020: Folds and Faults, University of Free State, Free State [online exhibition].
2020: Site Visit, L’AIR arts, Paris [online exhibition].
2020: #ALL WOMXN MATTER, Julie Miller Gallery, Johannesburg [online exhibition].
2020: Latitudes Art Fair, Johannesburg [online exhibition].
2020: Untangled, World Art Gallery, Cape Town.
2020: She Impressions, The Project Space, Johannesburg.
2020: Rise, 44 on Long Street, Cape Town.
2019: Aardklop National Arts Festival, Potchefstroom.
2019: Familiar Threads, Museum of African Design, Underline Projects, Johannesburg.
2019: Empathic Whispers, SMITH Gallery, Cape Town.
2019: Eulogy: A Tribute to Benon Lutaaya, Lizamore and Associates, Johannesburg.
2019: First Sunday’s, Victoria Yards, Johannesburg.
2019: Open Hands, Alliance Français, Johannesburg.
2019: Arty Bollocks, Victoria Yards, Johannesburg.
2019: Invisible Realm of Impossibility, FIAP Jean Monnett, Paris.
2019: Open Studio, August House, Johannesburg.
2019: Tswela Pele: First Collection of the Art Bank of South Africa, Durban Art Gallery, Durban.
2018: A flood in my Hands, Aardklop National Arts Festival, Potchefstroom.
2018: FNB Joburg Art Fair, The Project Space, Johannesburg.
2018: Now, StArt Art Festival, St Theresa’s School, Johannesburg.
2018: ABSA L’Atelier Art competition, ABSA Art Gallery, Johannesburg.
2018: Lipstick and Ladies, Afropolitan Gallery, Victoria Yards, Johannesburg.
2018: Open Studios, SAFFCA, France.
2018: Decently Damaged, 1:54 Contemporary African Art Fair, New York.
2018: A flood in my Hands, Fried Contemporary, Pretoria.
2017: Aardklop National Arts Festival, The Bag Factory, Potchefstroom.
2017: FNB Joburg Art Fair, The Bag Factory, Johannesburg.
2017: Young Capital/ White Noise, Johannesburg Fringe, Johannesburg.
2017: Cultivate, King David School, Johannesburg.
2017: Turbine Art Fair, The Project Space, Johannesburg.
2016: Femergy, ArtSpace, Durban.

Residencies

2019: L’AiR Arts, Paris.
2019: Draw, international residency, Caylus, France.
2018: SAFFCA (Southern African Foundation For Contemporary Art) Residency, France.

Awards

2017: Winner, Young Female Residency Award, The Project Space, Johannesburg.

Links

Alka Dass

Judy Jordan

Judy Jordan

b.1950, Harare, Zimbabwe; lives in Newcastle, KwaZulu-Natal, South Africa.

Judy Jordan paints images of the land, often scarred by human activity such as mining, pollution, and wars. Conversely, she is inspired by the generative qualities of nature, as symbolic of life, nourishment, renewal, and transformation. Judy Jordan was the first curator of the Carnegie Museum, Newcastle, a position she held for many years. Jordan has also been active as an art teacher as well as in cultural tourism, craft development and job creation programmes in KZN.

Education

1997: Honours History of Art (cum laude)

1984: Bachelor of Fine Arts

Solo exhibitions

2015: Carnegie Art Gallery, Newcastle, South Africa.

1990: Karren McKerron Gallery, Johannesburg, South Africa (opened by Dr Marion Arnold).

1985: Café Geneve, Durban, South Africa (opened by Andries Botha).

Group exhibitions

2010: Jabulisa 2010, The Art & Craft of KwaZulu-Natal, Tatham Art Gallery, Pietermaritzburg, South Africa.

2009: Contemporary Reflections: New Art from Old, Tatham Art Gallery, Pietermaritzburg.

2006: Jabulisa 2006, Natal Arts Trust, Tatham Art Gallery, Pietermaritzburg.

1998: (With Brendon Bell), Bayside Gallery, Durban and Tatham Art Gallery, Pietermaritzburg (opened by Andrew Verster).

1996: Jabulisa The Art of KwaZulu Natal, Natal Arts Trust, Tatham Art Gallery, Pietermaritzburg.

1995: Artists invite Artists Exhibition, Durban Art Gallery, South Africa.

1995: Women’s Image of Men, KZNSA Gallery, Durban.

1993: (With Janet Purcell), NSA Gallery, Durban (opened by Prof. Terry King).

1993: Momentum Life Exhibition, Pretoria Art Museum, South Africa.

1992: Flowers and Things Exhibition, NSA Gallery, Durban.

1992: Natal Route Exhibition, Lorna Ferguson Gallery, Johannesburg.

1991: Biennale 4, Natal Arts Trust.

1989: Natal Arts Trust Exhibition – Merit Award.

1988: Human Rights 40th Anniversary Exhibition, Tatham Art Gallery, Pietermaritzburg.

1988: (With Lola Frost), NSA Gallery, Durban (opened by Prof. Terry King).

1987: Natal Arts Trust Exhibition.

1987: Contemporary landscape Exhibition, NSA Gallery Durban; and Jack Heath Gallery, Pietermaritzburg.

1986: Paper Exhibition, NSA Gallery, Durban.

Employment

1991-2015: First Curator of Carnegie Art Gallery, Newcastle, South Africa. Expanded the Municipal art collection from 20 to 380 pieces. Established various art museum policies and established a Board of Trustees. Fundraised for collection, workshops and outreach programmes. Motivated and raised funds for extensions to the existing Gallery. Funds utilized for architectural drawings of a new Art Gallery building. Co-ordinated and curated numerous temporary exhibitions and community events.

2000-2002: Craft mentorship programme with Embocraft.

1985-1991: Private Art School & taught Matric syllabus to St Dominics’ pupils.

1981-1985: Deloitte, Haskins & Sells, Accountant.

1975-1981: National Museums & Monuments Council – Secretary & Research Assistant.

1972-1975: Financial Assistant, UDC.

1969-1972: Working holiday in Europe.

Memberships

1986 – present: Board Member of Natal Arts Trust.

2000 – 2015: Member of Amajuba Tourism Forum.

1996 – 1999:  Member of National Arts Council.

1986 – 1991: Member Arts Council.

1983 – 1987: Chairperson of Newcastle Art Society.

Collections

Durban Art Gallery.

Empangeni Art & Cultural Museum.

KwaZulu Natal Provincial Administration.

KwaZulu Natal Museum services.

Margate Art Museum.

Museum de Stadshof, Zwolle, Netherlands.

Tatham Art Gallery, Pietermaritzburg.

Carnegie Art Gallery, Newcastle.

Other activities

Organised and coordinated more than 60 workshops for unemployed people.

Initiated “Isiphethu” an empowerment group of women who today sell work nationally and internationally.

Represented local craft at two International Trade Fairs at the invitation of Dept. Trade & Industry.

Co-ordinated and curated numerous temporary exhibitions and community events.

Researched and initiated local township cultural tours.

Developed teachers’ workshops to assist with the Art & Culture curriculum.

Presented papers at various SAMA regional conferences.

Links

Tersia Gopi, 'Judy Jordan opens up her art studio to Newcastle', Northern Natal News, 22 March 2017. 

 

 

 

 

Thalente Khomo

b. 1995, Port Shepstone; Lives in Durban.
Thalente Khomo creates imaginative works in photography, performance and printmaking. Drawing on personal and cultural histories, her images give visual form to a world that is at once physical and spiritual, modern and ancient. Khomo is a member of the Amasosha Art Movement.

Education

2023: ASAI Print Access Workshop, Wits School of Arts, Johannesburg.
2020: Bachelor of Technology, Photography,  Durban University of Technology, Durban.
2019:  National Diploma, Photography, Durban University of Technology, Durban.

Solo Exhibitions (South Africa)

2019:  UkuThwebula, Cape Town School of Photography, Cape Town.

Group Exhibitions (South Africa)

2019:  Utalagu Art Exhibition, Ikomkhulu Art Space, Durban.
2019:  Kabusha Photography End Year Exhibition BTech, Durban Art Contemporary Space, Durban.
2019:  Tshwele Pele Art Bank Exhibition, Durban Art Gallery, Durban.
2019:  Thupelo Workshop Exhibition, Pietermaritzburg.
2019:  Articulate Africa Exhibition, Durban International Convention Centre, Durban.
2019:  Ukuba duo Exhibition (with Thembi Mthembu),  The office 97 Gallery, Durban.
2019:  Amososha Art Movement, Essence Festival, International Convention Centre, Durban.
2018:  Ikhaya Exhibition, Ikomkhulu Art Space, Durban.
2018:  Isambumbulo, Henry George Gallery, Johannesburg.
2018:  Masihambisane, African Art Centre, Durban.
2017:  Inyathuko (The Journey), Ikomkhulu Art Space, Durban.
2017:  Amososha Art Movement, Essence Festival, International Convention Centre, Durban.
 2016:  Abangoni,  Happy Hippo Backpackers, Durban.
2017:  Essence Festival, International Convention Centre, Durban.
2016:  Messages From the Soul, KwaZulu Natal Society of Arts (KZNSA) Gallery, Durban.

Group Exhibitions (International)

2023: Together We Art (G20 Art Project), Bihar Museum, Patna, India
Helena Uambembe

Helena Uambembe

b. Pomfret, Northern Cape, South Africa, 1994. Lives in Johannesburg.


Helena Uambembe is an interdisciplinary artist (textiles, printmaking, photography, performance). Drawing on her own life story, Helena Uambembe reflects on the erasure of histories of conflict and complicity of South Africa’s wars in Angola and Namibia, and the unspoken legacies of those wars that shadow the present.   

Education

2023: ASAI Print Access Workshop, Wits School of Arts, Johannesburg. 
2018: B Tech in Fine and Applied Arts, Tshwane University of Technology, Tshwane.
2016: National Diploma in Fine and Applied Arts, Tshwane University of Technology, Tshwane.

Solo exhibitions

2021: Pim Pam Pum, NWU Gallery, North West University, Potchefstroom.
2021: How to make Mud Cake. Cubicle Series. Everard Read Gallery, Cape Town.
2020: Home and the Other. FNB Art Joburg. Online.
2018:  KutalaChopeto [Seeking Comfort], World Refugee Day exhibition. Point of Order, Johannesburg.

Group exhibitions

2021: Territories Between Us. Iziko Museum, Cape Town.
2021: Home for the Holidays. Danger Gevaar Ingozi Studio, Johannesburg
2021: Feminism Ya Mang, Yethy, Yanu. Goethe Institut, Johannesburg
2021: Shape of Blackness. Oakstop Project Space, California.
2020: The African Art Fair. Movart Gallery, Online.
2020: Pink. Everard Read, Johannesburg.
2020: Through Our Eyes Narrative of Angolan Narratives. Abuja Art Week, Online.
2020: The Politics is Now. Blessing Ngobeni Art Prize. Aspire Art, Johannesburg.
2020: FNB Art Joburg, Luamba Muinga, Johannesburg. 
2020:  Qual Futuro, Online exhibition.
2020:  The Borders of Memory, Guns & Rain, Johannesburg.
2020:  Covert Bioscope, Bag Factory Artist Studios. Online Exhibition.
2019:  Texidermia do Futuro. Museu National de Historia Natural, Luanda, Angola.
2019:  Multiplies, Johannesburg.
2019:  Resistance is Us. ABSA Art Gallery, Johannesburg.
2019:  Summer Salon, Bag Factory Artist Studios, Johannesburg.
2019:  The Warmth of Other Suns, The Melrose Gallery, Johannesburg.
2019:  Print Like a Girl, Turbine Art Fair, Gallery 2, Johannesburg.
2019:  Print Like a Girl, Art Room Gallery, Johannesburg.
2019:  Compulsive exhibition, Johanne van Heerden Gallery, Pretoria, South Africa.
2019:  Mark-making, Trent Gallery, Pretoria.
2019:  I don’t know what you are talking about, but I know what you mean, PASTOgalleria, Buenos Aires, Argentina.
2019:  Investec Cape Town Art Fair, Offsetculture.art, Cape Town, South Africa.
2019:  Spaces in Between, Tmrw Gallery, Johannesburg.
2018:  TUT Studio exhibition 2018, TUT Arts Campus, Pretoria.
2018:  Till Art Do Us Apart, TUT Art Festival, Pretoria.
2018:  Print Art – Now and Then, Trent Gallery, Pretoria.
2017:  Silences in Between, Goodman Gallery, Cape Town.
2017:  Nirox Sculpture Winter Fair, Krugersdorp, South Africa.
2017:  The Centre of the less good idea season 1, Arts on Main, Johannesburg.
2017:  South-South. Let us begin again. Goodman Gallery Cape Town.

Performances

2019:  ​Caminho do Mato, Caminho do Flores, Flores de Amor Extended,  Centre for the Less Good Idea, Johannesburg.
2019: ​Caminho do Mato, Caminho do Flores, Flores de Amor, FNB Joburg Art Fair, Johannesburg.
2019:  ​Therapy for the Black Man (In Honour of...), Underline Projects, Johannesburg.
2019:  ​Load I shall Carry (Prayer to mother Njinga), The Melrose Gallery, Johannesburg.
2018: Tchiganchi, The Point of Order, Johannesburg.

Conferences

2019:  The Violence of an Anxious Mind - Panel Discussion, Bag Factory Artist
Studios, Johannesburg.
2019:  David Koloane Panel Discussion, Standard Bank Gallery, Johannesburg.
2019:  AFEMS – African Feminism Conference, Performing Normalcy: A focus on the
Women of the 32 Battalion, Johannesburg.
2018:  BLT People’s Table, Johannesburg.
2016:  The History we are told not to Speak (The history of the Pomfret community), Unisa School of Arts Conference, Pretoria.
2016:  Black Portraiture iii. The Untold Story of the Pomfret Community, University of the Witwatersrand, Johannesburg.

Texts

Nkgopolent Moloi, Are we not makers of history? I reflecting on spatial and temporal memory, BubblegumClub, 2021.
Keely Shinners, Listening to images of 32 Battalion, ASAI, 2021.
Fadzai Muchemwa, A History of Disruption: Helena Uambembe’s ‘Commander Nel’s Archive,’ ArtThrob, 2021.
Nkgopoleng Moloi, Artist Helena Uambembe confronts a painful past and compresses time, BubblegumClub, 2021.
Helena Uambembe, This is not the Angola that we dreamed of, South-South, 2020.

 

Yasmien Mackay

b. 1997, Durban, South Africa; lives in Durban.

Yasmien Mackay utilizes digital photography, video and printing, with found objects and installation, to explore and provoke responses to questions of patriarchy, culture, language and identity in contemporary society. A graduate of DUT, Mackay has been exhibiting her work since 2016.

Education

2019:  Bachelor of Technology, Fine Art (cum laude),  Durban University of Technology, Durban.

Group Exhibitions (South Africa)

2020:  An Unfurling: Young Artist Project, KwaZulu-Natal Society of Arts (KZNSA) Gallery, Durban.
2019:  When Thoughts Become Things, Durban Art Gallery, Durban.
2019:  Zeitgeist Africa, Durban University of Technology Gallery, Durban.
2019:  Entrepreneurship Through the Arts, Durban International Convention Centre, Durban.
2019:  Emma Smith Nominee Exhibition, Durban University of Technology, Durban.
2018:  DUT Fine Art & Jewellery Design Graduate Exhibition, KwaZulu-Natal Society of Arts (KZNSA) Gallery, Durban.
2018:  SHIFT. DISREGARD. RETHINK, Durban University of Technology Gallery, Durban.
2018:  DOES THIS OFFEND YOU?  BAT Centre, Durban.
2016:  National Creative Arts Youth Festival, Durban University of Technology Gallery, Durban.
2016:  New Beginners, Durban Art Space, Durban.

Awards

2019:  Fine Art Excellence Award (Fourth Year Top Student), Durban University of Technology.
2018:  Fine Art Excellence Award (Third Year Top Student), Durban University of Technology.
2018:  Dean’s Merit Award for National Diploma in Fine Art, Durban University of Technology.
2017:  Fine Art Excellence Award (Second Year Top Student), Durban University of Technology.
2016:  Third Place, National Creative Arts Youth Festival.
2016:  Fine Art Excellence Award (First Year Top Student), Durban University of Technology.

 

 

 

 

 

 

 

 

Bongiwe Dhlomo-Mautloa

Bongiwe Dhlomo-Mautloa

b. Vryheid, KwaZulu-Natal, South Africa, 1956. Lives in Johannesburg.

Bongiwe Dhlomo-Mautloa is an artist, art educator and one of South Africa’s first black curators. Bongiwe Dhlomo-Mautloa began making art in the late 1970s as a response to life under apartheid. With a strong focus on the political, her aims include giving voice to the rural and urban histories of black women.

Arts Education

1978 - 1979: Fine Arts Diploma (Printmaking), The Evangelical Lutheran Church Art and Craft Centre at Rorke's Drift, Kwa-Zulu Natal, South Africa.

Exhibitions

2018: FUBA: Preserving a Legacy, Keyes Art Mile, Johannesburg. 
2017: A Labour of love, Johannesburg Art Gallery, Johannesburg.
2015: A Labour of Love, Weltkulturen Museum, Frankfurt, Germany.
2014: Impressions of Rorke’s Drift - The Jumuna Collection, Iziko South African National Gallery, Cape Town.
2012: A Fragile Archive, Johannesburg Art Gallery, Johannesburg.
2010: Strengths and Convictions: The Lives and times of South Africa's Nobel Peace Prize Laureates, Iziko South African National Gallery, Cape Town; Nobel Peace Centre, Oslo.
2003: Rorke's Drift: Empowering Prints 1962 - 1982, Iziko South African National Gallery, Cape Town; Durban Art Gallery, Durban.
2003: Time, Memory and Desire, Standard Bank Art Gallery, Johannesburg.
1999: [Rewind] Fast Forward.za, Van Reekum Museum of Modern Art, Apeldoorn, Netherlands.
1998: Trans Figurative, Association of Visual Arts Gallery, Cape Town.
1989 - 1990: Art/Images in Southern Africa, Kulturhuset, Stockholm.
1988: The Neglected Tradition, Johannesburg Art Gallery, Johannesburg, .
1986: Images of South Africa (solo), Gabarone. 

Other

2020: Panelist, “Building legacies: Investing in Culture”, Investec Cape Town Art Fair, Cape Town.
2019: Curator, Admission of Guilt, 179 Buitengracht St, Gardens, Cape Town.
2016: Panelist, "A reflection on the role of the arts in the struggle" panel discussion, Apartheid Museum, Johannesburg,.
2016: Curator, Assemblage. Johannesburg.
2014: Panelist, Seminar: Towards a working concept of socially engaged Art in 2014, KZNSA, Kwa-Zulu Natal.
2013: Co-Curator, Umhlaba 1913–2013: Commemorating the 1913 Land Act, Iziko South African National Gallery, Cape Town.
2013: Facilitator, Print Workshop, National School of the Arts (NSA), Johannesburg.
2009 - 2013: Curatorial Content Manager, Steve Biko Centre, King William's Town.
1994 - 1999: Committee member, Acquisitions Committee, Iziko South African National Gallery, Cape Town.
1986 - 1988: Coordinator, Alexandra Art Centre, Johannesburg.
1983 - 1985: Curator, FUBA Gallery, Johannesburg.
1980 - 1983: Worked at the African Art Centre, Durban.

Publications

2004: Dhlomo, B and Godby, M “Art and Politics in a Changing South Africa: Bongi Dhlomo in Conversation with Michael Godby."African Arts, vol. 37, no. 4.

Links

Shelley Barry

b. 1973. Lives in Johannesburg

Shelley Barry is a South African filmmaker and disability rights activist. Her films span across genres and are largely experimental in style. She often shoots her own films, exploring the aesthetics of cinematography from the perspective of a wheelchair user.

How Barry’s disability never stopped her from making wonderful films, TimesLive, 28 March 2018, Online
Film industry honour for ex-PE women, The Herald, 27 March 2018, Online
Feminist Filmmaker Meets Boss Bitch Rapper, the Journalist, 16 June 2015, Online
An ode to a dissident, Southern Suburbs Tatler, 12 June 2014
Life is for living, The Witness, 9 August 2010, Online
Opposing worlds united on screen, Weekend Post 

Education

2018: Doctor of Philosophy (PhD), Film, University of the Witwatersrand, Johannesburg.
2006: Master of Arts (MA), Film and Media Arts, Temple University, Philadelphia.
1995: Bachelor of Arts Honours (BA.Hons), English, University of the Western Cape, Cape Town.
1993: Higher Diploma in Education, English and Drama, University of Cape Town, Cape Town.
1992: Bachelor of Arts (BA), English and Drama, University of Cape Town, Cape Town.

Employment

Present: Lecturer, Department of Journalism, Film and Television, University of Johannesburg, Johannesburg.
2015 - present: Film Production, Twospinningwheels Media School, Cape Town.
2010 - Present: CEO, Twospinningwheels, Port Elizabeth and Cape Town.
2013: Filmmaker in Residence, Women's and Gender studies, University of the Western Cape, Cape Town.
2013: Filmmaker in Residence, Gender Equity Unit, University of the Western Cape, Cape Town.
2008 - 2010: Head of Programming, Cape Town Television, Cape Town.
2008: Filmmaker in Residence, Carnegie Foundation, New York.
2006 - 2007: Filmmaker in Residence, Temple University, Philadelphia.
2001 - 2003: Media Manager, Office on the Status of Disabled Persons, The Presidency of the Republic of South Africa, Pretoria.
1991 - 2001: Manager, Programme Compliance Division CEO, e.tv.
1996 - 1998: Parliamentary Policy Co-ordinator, Disabled People South Africa, Parliament, Cape Town.

Filmography

Whole: A Trinity of Being (2004)
Retrato/Portrait (2005)
Where Are My Heels? (2005)
Inclinations (2005)
Str/oll (2006)
Umbilical Cord (2006)
Cry like the Loons (2006)
New York/New Brighton (2007)
Cellphone (2008)
Pants? Skirt? Lipstick? (2005)
Where We Planted Trees (2011)
The Traveling Poet (2011)
Place of Grace (2011)
Mr. Shakes: The Passion to Live (2013)
Diaries of a Dissident Poet (2014)
I’m Not Done Yet (2015)
Re:incarnation (2018)
Out of Reach (2018)
Ink/Visible (2018)
Here (2019)

Awards

2018: Outstanding Disability Contributor, South African Film and Television Awards (SAFTA).
2017: Featured Filmmaker, Mzansi Women’s Film Festival, Johannesburg.
2011: Mail & Guardian's Top 100 South African Women.
2010: Ambassador of Disability Rights Award, KwaZulu-Natal.
2003 - 2004: Charlotte Newcombe Award, Outstanding Students with Disabilities.
2003: Ford Foundation Scholarship, for Master of Fine Arts in film.

Film Awards

2019: HERE

Selected for the 2020 Berlin International Film Festival

2006: Where We Planted Trees

Best Documentary, Diamond Screen Film Festival, Philadelphia.

2004:  Inclinations

Purchased by MTV in 2007.
Top 10 click list, MTV Films Online.

2004:  Whole – A Trinity of Being

Best Film, Superfest, California.
Best Narrative Short, Philadelphia Festival of Independents, Philadelphia.
Best Experimental Film, Breaking Barriers Festival, Moscow.
Best Experimental Film, Projections 2, Canada.
Spirit of Independence Award, Brooklyn (New York) International Disability Film Festival.
Jurors Citation Award, Black Maria Film Festival, New Jersey.
Outstanding Graduate Student Award, Pennsylvania Association of Graduate Schools, Pennsylvania.
Audre Lorde award for media production.
Television Acquisition, WYBE, DUTV (community TV stations), South African Broadcasting Corporation (SABC).

Links

Shelley Barry, I Am Woman

Jill Joubert

Jill Joubert

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b. Tzaneen, Limpopo, South Africa, 1954. Lives in Cape Town

Jill Joubert is an artist, puppeteer and teacher. She is a former founding member of the Handspring Puppet Company and former principal of the Peter Clarke Art Centre (formerly the Frank Joubert Art Centre). Working predominately in wood, Jill Joubert displays an interest in sacred European and African Art as well as creation stories and folktales from around the world.

 

 

Education

2013: Master of Fine Art, University of Cape Town, Cape Town.
1991: Advanced Diploma in Fine Art, University of Cape Town, Cape Town.
1990: Honours degree in History of Arts, University of Cape Town, Cape Town.
1976: Bachelor of Arts, University of Cape Town, Cape Town.

Solo Exhibitions

2018: An Abandoned Saint and other Forgotten Stories, SMITH Studio, Cape Town.
2016: The Invasion by Stately Queens come to Rescue Princesses Trapped in Four Impenetrable Towers, SMITH Studio, Cape Town.
2014: Apple Girl, Michaelis School of Fine Art, University of Cape Town, Cape Town.

Group Exhibitions

2020: A Seadrift Of Songs, Re - Centering AfroAsia Project’s annual conference production, University of Cape Town, Cape Town.
2019: Memorials, Glen Carlou Wine Estate, Paarl, South Africa. 
2019: Self, Glen Carlou Wine Estate, Paarl, South Africa.
2019: And So The Stories Ran Away, Zeitz MOCAA, Cape Town. 
2017: Beyond Binaries, ICC Essence Festival, Durban Art Gallery; KZNSA Gallery, Durban.
2009: Staff Exhibition, Frank Joubert Art Centre, Cape Town.
1995: Juggling with the Familiar, Centre for African Studies, UCT, Cape Town.
1992: Meditations, Iziko South African National Gallery, Cape Town.
1991: Keeping the Wrong Company, Woman’s Centre, Observatory.
1989: An Exhibition of Cape Town Puppeteers, Artscape Foyer, Cape Town.
1987: Exhibition of South African Puppetry, UNISA Gallery, Pretoria. 
1976: Touch Wood, Iziko South African National Gallery, Cape Town.
1974: Involvement, Iziko South African National Gallery, Cape Town.

Teaching

2020 - present: Teacher, The Joy of Drawing: Drawing for Beginners, University of Cape Town, Cape Town.
2019: Mentor, Michaelis School of Fine Art and Ruth Prowse School of Art, Cape Town.
2014 - 2016: Participant, The Warhorse Education Project and The Kickstarter Project, KZN; Johannesburg and the Free State.
2013 - present: Teacher, Creative Arts for Foundation Phase PGCE students, UCT Department of Education, Cape Town.
2013-2020 : Teacher, PGCE Foundation Phase students in Life Skills: Creative Arts, for the School of Education, University of Cape Town.
2013: Teacher, Working in wood, Michaelis School of Fine Art, Cape Town.
2010 - 2016: Puppetry, Net Vir Pret, Barrydale, Handspring Trust, South Africa.
2010 - 2015: Teacher, Ibhabhathane Project, Western Cape, Limpopo, KZN and Free State, South Africa.
1997 - 2009: Principal, Frank Joubert Centre, Cape Town.
1990 - 2007: Teacher, Visual Art and Design Method for FET, UCT Department of Education, Cape Town.
1984 - 1996: Art Teacher, Herzlia Middle and High School, Cape Town.
1977 - 1980: Art Teacher, Herzlia High School, Cape Town.

Press clips

Jill Joubert: Creating beauty on the stage is not just for adults, Cape Argus, 15 March 2016, p.18
Shaping visions inspired by the rich, red soil and soul of Limpopo, Business Day, 2 August 2018, p.8
Zeitz MOCAA hosts childrens exhibition, Weekend Argus, 21 December 2020. 

Writing

2020: Partnerships in Art Education in "Re: Researching Stories", a publication documenting the         children’s Exhibition, And So the Stories Ran Away at Zeitz MOCAA, Cape Town.
2019: The Tale of  Mouse and The Stories That ran Away inspired by the children’s Exhibition, And So the Stories Ran Away at Zeitz MOCAA, Cape Town.
2009: Public Sculpture, Statues and Memorials in Cape Town, Paarl, Barrydale and George, commissioned by the WCED, to support FET Visual Art and Design teachers in the Western Cape
2008: The Other Side of the Street, commissioned by WCED to support FET Focus Schools of the Arts, this package engaged with alternative teaching centres: Polly Street in Johannesburg, Rorke’s Drift in KZN and The Community Arts Project (CAP), in Cape Town.
2006: An Introduction to African Art, a book written for both GET and FET teachers related to the exhibition, Picasso and Africa, Iziko South African National Gallery, Cape Town, South Africa
2005: Art on our Doorstep: A Meeting of Two Cultures, a package for both GET and FET teachers to engage with the Iziko Old Townhouse exhibition of Dutch painting of the 1600’s and the San/Bushman exhibition at the Iziko Natural History Museum

Other

2015 - 2016:  Created and performed, The Tale of the Willow Pattern Plate, Rosebank Theatre, Cape Town; Barrydale and Magnet Theatre, Cape Town, South Africa.
2014: Co-created and performed, Bokele and the Sun, Rosebank Theatre and Fringe Festival, Cape Town, South Africa.
1995: Re-scripted, made puppets, performed and trained Afrikaans and Xhosa presenters, EDUMEDIA video (Western Cape Education Department).
1981 - 1983: Founder member, Handspring Puppet Company.
1997 - 2009: Co-founder, Ibhabhathane Project, South Africa.

Sindi-Leigh McBride, Jill Joubert’s Joyful Agency, (ASAI, 2019).

Tracey Derrick

Tracey Derrick

b. 1961, Kesteven, England;  d. September 2019, lived in Cape Town.
Tracey Derrick worked full-time as a photographer from 1992, the year a referendum on ending South African apartheid was held. Much of her early work related to the achievement of democracy in the country, while later projects merged private aspects of her life with her socially-motivated concerns.

Art work as therapy for young offenders, Cape Times, 1 November 2016, p.5

Art Education

2009:  Postgraduate Diploma, Fine Art, Michaelis School of Fine Art, University of Cape Town, Cape Town.
1989:  Black and white photographic printing, School of Visual Arts, New York.

Solo Exhibitions (South Africa)

2012:  One in Nine - a photographic exploration of breast cancer, its treatment and survival, The National Arts Festival Think! Fest, Grahamstown.
2010: One in Nine - my year as a statistic, Association for Visual Arts (AVA) Gallery, Cape Town.
2009:  One in nine - one year of breast cancer, its treatment and survival,  Michaelis School of Fine Art, Cape Town.
2007:  Eye Inside - inmates at the Malmesbury Women’s Prison and Rough Diamonds, João Ferreira Gallery, Cape Town.
2005:  The Waters of Life - Zionist baptisms, Cape Francolin Art Hotel, Riebeek Kasteel.
2005:  EarthWorks - farm labourers in the Swartland, The Cape Francolin Art Hotel, Riebeek Kasteel; Association for Visual Arts, Cape Town.
2003:  Her and me - Travels of Salvador, Latitude, Riebeek Kasteel; Okha Gallery, Cape Town.
2002:  Liquid Life - we cannot live without the wet, Cape Town Month of Photography, Picto Gallery, Cape Town.
1999:  Basic Necessity - sex workers around and about Cape Town, Association for Visual Arts, Cape Town.
1997 - 1998:  The Waters of Life - Zionist and Sangoma ceremonies, Association for Visual Arts, Cape Town; Durban Centre for Photography, Durban.
1997 - 1998:  Hope from Home - refugees from all over Africa living in Cape Town, The Castle of Good Hope, Cape Town; Pretoria Art Museum, Pretoria.
1995:  Still Moving - photographs from Mozambique, Association for Visual Arts, Cape Town.

Solo Exhibitions (International)

2003:  Basic Necessity, L’Association Francaise d’Action Artistique, Salvador; Musee d’Art Moderne, Rio de Janeiro; Brasilia; Recife.
1996:  The Waters of Life - Zionist and Sangoma ceremonies, South African Embassy, international ‘Mois de la Photo’ Biennale, Paris.
1994:  Side by Side - recognition of women in the 1994 elections, Association of Photographers, Maputo.

Group Exhibitions (South Africa)

2018:  No Ordinary Woman, PH Centre Gallery, Cape Town.
2017:  (In)appropriate, PH Centre Gallery, Cape Town.
2014:  20 Years of Democracy, Photographers’ Perspectives, Artscape, Cape Town.
2013:  Another Way of Seeing, Young Blood Gallery, Cape Town.
2011:  A Natural Selection: 1991 – 2011, Association for Visual Arts, Cape Town.
2011:  The Domino Effect, VANSA Public Art Project, Goethe on Main, Johannesburg.
2010:  Home Time - Juggling with the familiar II, Centre for African Studies, University of Cape Town, Cape Town.
2010:  Bonani Africa Festival of Photography, Castle of Good Hope, Cape Town.
2010:  The Lie of the Land: Representation of the South African Landscape, Town House Gallery, Cape Town.
2010:  VANSA, Cape Town.
2009:  US, Johannesburg Art Gallery, Johannesburg.
2002:  Voices in Transit, Cape Town Festival, Cape Town Train Station, Cape Town.
1998:  The Gap, Grahamstown Festival, Grahamstown.
1997:  Trade Routes: Traditions and Tensions, Johannesburg Biennale, Robben Island, Cape Town.
1996:  Volkskas Atelier National Exhibition, Pretoria Art Museum, Pretoria.
1995:  People’s Portraits Project, South African National Gallery, Cape Town.
1994:  Celebration of Democracy, Mayibuye Centre, University of Western Cape, Cape Town.

Group Exhibitions (International)

2016:  South African Women Photographers, Pingyao International Photography Festival, Pingyao.
2010:  A Useful Dream: African Photography 1960-2010, Palais des Beaux Arts, Brussels.
2004 - 2006:  Afrika Remix, Museum Kunst Palast, Düsseldorf; Hayward Gallery, London; Centre Georges Pompidou, Paris; Mori Art Museum, Tokyo.
2002:  Une selection des 4 Rencontres de la Photographie Africaine, Direct de Bamako, Bamako; Paris.
2001:  South African photographers with ZAP, Zimbabwe Association Of Photographers, Bulawayo.
2001: Rencontres de la Photographie Africaine de Bamako, Bamako.
2000:  Hope from Home - refugees from all over Africa, United Nations High Commissioner for Refugees (UNCHR) Commission, South African Embassy, Mbabane.
1999:  Afriques, Musee de la Photographie, Charleroi.
1996: Contemporary Art from South Africa, Haus der Kulturen, Berlin.
1995:  IVth United Nations World Conference on Women, Beijing International Convention Centre, Beijing.

Awards

2019:  Professional Category Winner, Collectif du Herisson - Association Photographique.
1994:  Photo '94 Award, Bellville Arts Association, Cape Town.
1993:  Fuji Profoto Award, Documentary image of African Zionists.

Teaching

2016:  Documentary Course, Cape Town School of Photography, Cape Town.
2015:  Masters Course, Photography, International Summer Academy of Fine Arts and Media, Venice.
2008 - 2010:  Practical Photography Workshop, Cape Town School of Photography, Cape Town.
2008:  Documentary Course,  Michaelis School of Fine Art, Cape Town.
2007:  Documentary Course, Cape Town School of Photography, Cape Town.
2006 - 2018:  Photography for Journalism, City Varsity, Cape Town.
2006:  Photographic Skills Development, Malmesbury Women’s prison, Malmesbury.
2004:  Lecturer, Department of Historical Studies, University of Cape Town, Cape Town.
1999:  Street Photography Project, South African Centre for Photography, Cape Town.
1993:  Streets Photographic workshops with homeless children, Cape Town.
1992: Siyazinceda Textile workshop, Phillipi, Cape Town.

Projects and Campaigns

2018:  Part-time Photojournalist and project based assignments, goodwill ambassador, southafrica.co.za
2011: 2010  Reasons to Live in a Small Town, VANSA Public art project, Goethe Institute, Johannesburg; Month of Photography 2012, Cape Town.
1994:  Art Home Art, Photographs for Sue Williamson, Willie Bester and Andrew Putter project, Grahamstown Festival, Grahamstown.
1993:  Voter Education Campaign, Prophets of da City for Rappers for Democracy.
1993:  Picture Freedom Campaign, auction of photography for ANC fundraising, London.

Texts

Clare Patrick, Tracey Derrick: Water that glistens, rinses and brings us home, (ASAI, 2020).

Other Involvement

2016:  Project Manager, Young in Prison South Africa inaugural photo auction (YIPSA).
2013:  Guest speaker, 17th Reach for Recovery International Breast Cancer Support Conference, Cape Town International Convention Centre (CTICC), Cape Town.
2002:  Judge, Bellville Foto Competition, Cape Town.
1998:  Steering committee, South African Centre for Photography, Cape Town.
1997:  In-house documentation, Parliament committee meetings, Cape Town.

 

Judy Seidman

b. Connecticut, USA, 1951. Lives in Johannesburg. 
Judy Ann Seidman’s art flows from the twinned beliefs that “culture is a weapon of struggle”, and that “the personal is political” – an approach to culture born in Africa’s liberation struggles. Her paintings, drawings and graphics explore personal and collective experience, emotion, belief and vision; speaking of and to people’s movements, from national liberation and worker struggles to feminism and HIV activism.

Education

1973: Master of Arts, Fine Art (Painting), University of Wisconsin, Wisconsin, USA
1971: Bachelor of Arts, Sociology, University of Wisconsin, Wisconsin.

Solo Exhibitions (South Africa)

2019: Drawn Lines, Museum Africa, Johannesburg.

Group Exhibitions (International)

2005: Na Cidade, Jazz, Luanda, Angola.
1984: Botswana National Museum and Art Gallery, Gaborone, Botswana.
1980: Judy Ann Seidman and Pitika Ntuli, Pentonville Gallery, London.
1980: Judy Ann Seidman and Pitika Ntuli, Institute of Education Gallery, University of London, London.
1976: Hemingway Art Gallery, New York.
1976: Botswana National Museum and Art Gallery, Gaborone.
1975: Exhibition of paintings and drawings, British Council, Lusaka, Zambia
1974: Exhibition of paintings and drawings, National Library, Lusaka.
1973: Masters of Fine Art exhibition, University of Wisconsin Art Gallery, Wisconsin.

Workshops, Arts Facilitation & Policy

2016 - present: Facilitator, Feminist Women's Art Network, One in Nine campaign, South Africa.
2008 - 2012: Facilitator, One in Nine advocacy media and Naledi Ya Meso art-making and gender workshops, CDP Trust, Johannesburg.
2007 - present: Facilitator, Khulumani Art Healing and Heritage Workshops, South Africa.
1996 - 1997: Member, Curriculum 2005 Arts and Culture Learning Area Committee, Department of Arts, Culture, Science and Technology, South Africa.
1996: Consultant, “Respect for Cultural Diversity” curriculum, South African National Defence Force civic education programme, South Africa.
1995 - 1996: Member, Arts Education Policy Task Team, Gauteng Ministry of Education, South Africa.
1994 - 1995: Sub-committee member, Visual Arts of National Education and Training Forum curriculum development, South Africa.
1994 - 1995: Chairperson, Strategic Management Team, Gauteng Department of Sport, Recreation, Arts, Culture, South Africa.
1993: Curriculum development, Dakawa Arts and Crafts school, Grahamstown.
1991 - 2001: Consultant, Curriculum Development Project for the Creative Arts, Johannesburg.
1988 - 1990: Cultural Studies curriculum development, Foundation for Education with Production, Botswana and Zimbabwe.
1985 - 1989: Graphics editor and training supervisor, Mmegi wa Dikgang, Botswana.
1978 - 1983: Teacher, Thokoza School, Mbabane, Swaziland
1978 - 1983: Teacher, Maru-a-Pula Secondary School, Gaborone.

Publications

2017: Drawn Lines, an autobiography of Judy Ann Seidman, Createspace Independent Publishing Platform, California.
2013: Justice, redress and restitution: Voices of the widows of the Marikana Massacre, Khulumani Support Group, Johannesburg.
2011: Naledi Ya Meso Handbook, Curriculum Development Project Trust, Johannesburg.
2011: Art as Advocacy Handbook, Curriculum Development Project Trust, Johannesburg.
2010: One Woman, Sketches/diaries, letters/notes: Fragments from Anita Parkhurst Willcox, Createspace Independent Publishing Platform, California.
2007: Katorus Stories, South African History Archive, Johannesburg.
2007: Red on Black, the story of the South African Poster Movement, STE Publishers, Johannesburg.
2005: Hlanganani Basebensi: A brief history of COSATU, STE Publishers, Johannesburg.
2005: Every worker a union member, COSATU Collective, Johannesburg.
2002: My Comrade with AIDS is still my Comrade, COSATU Collective, Johannesburg.
2001: The Social Protection handbook, COSATU Collective, Johannesburg.
1993: Fighting AIDS, National Progressive Primary Health Care Network booklet, South Africa.
1991: Images of Defiance: Protest Posters from South Africa 1980 - 1990, Raven Press (Written together with Posterbook Collective), Johannesburg.
1990: In Our Own Image, (textbook for  secondary school level Cultural Studies for Southern Africa), FEP, Gaborone.
1979: Bayezwa: Paintings and drawings of Southern Africa, South End Press, Boston.

Writing

2016: National liberation is necessarily an act of culture: Visual arts of the armed struggle in Southern Africa, paper given at Conference Politics of the Armed Struggle in Southern Africa
2013: Khulumani! Talking to the concept, structure and outcomes of Khulumani Support Group’s Art, Healing and Heritage Workshops, paper by Judy Seidman and Nomarussia Bonasa for Khulumani Support Group at Dance for Life conference.
2010: The Art of National Liberation; Thami Mnyele and Medu Art Ensemble retrospective, Thami + Medu exhibition catalogue, Johannesburg Art Gallery and Jacana Press, Johannesburg.
2010: Education for liberation, Chimurenga magazine, Cape Town.
2006: Drawn Lines: Belief, Emotion, and Aesthetic in the South African Poster Movement in Phillippa Hobbs, ed. "Messages and Meaning: the MTN art collection", MTN, Johannesburg.
2004: South African Art Historians, with Jillian Carman, paper on South African Poster Movement, Durban.
1997: Imagery and AIDS in South Africa, paper presented to Images and Empire conference in Yale University, Connecticut.
1992 - 1994: Africa South and East, Johannesburg.
1986 - 1989: Medu Art Ensemble Newsletter, Gaborone.

Other

2006 - 2008: Curator, Poster Collection, South African History Archive, Johannesburg.
2004: Specialist advisor, Images of Defiance, MuseumAfrica, Johannesburg.
1995 - 1997: Executive member, Arts and Culture Alliance, Gauteng.
1994 - 1995: Executive member, Arts Educators Association, Gauteng.
1981 - 1985: Member, Medu Art Ensemble, Gaborone.

Collections

Botswana National Museum and Gallery, Gaborone, Botswana
Mayibuye Centre, Cape Town, South Africa
MTN collection, Johannesburg, South Africa
Museum of Revolutionary Art, Leningrad, Soviet Union
Museum of Modern Art, New York
South African History Archive, Johannesburg, South Africa

Nkoali Nawa

b. 1965, Goldfields, South Africa. Lives in Gugulethu, Cape Town
Nkoali Nawa started out as a gold mineworker, before moving into art-making. In doing so, he obtained a diploma and degree in fine art from Technikon Free State. His drawing and painting works depict the daily struggles of impoverished South African communities, the harsh working conditions of miners, as well as the intergenerational distress caused by the colonial structure of migrant labour systems. 

Art Education

2001: National Diploma, Fine Arts and B. Tech, Technikon Free State, Bloemfontein.

Solo Exhibitions (South Africa)

2008: Space, Association for Visual Arts (AVA), Cape Town.
2002: Close-Up, Greatmore Studios, Cape Town

Group Exhibitions (South Africa)

2020: Latitudes Art Fair Online, The Creative Block by Spuer Arts Trust, online.
2018: Rituals, Association for Visual Arts (AVA), Cape Town; Bashu Uhuru Freedom Festival, Johannesburg.
2007: Group Exhibition, Everard Read Gallery, Johannesburg.
2006: Group Exhibition, Everard Read Gallery, Johannesburg
2004: Heike Davies, Nkoali Nawa and Committee Work, Association for Visual Arts (AVA), Cape Town.
2004: Exhibition, Apartheid Museum, Johannesburg
2003: The Brett Kabbel Art Awards, Cape Town International Convention Centre
2003: Members' Exhibition, Association for Visual Arts (AVA), Cape Town
2003: Group Exhibition, SA National Gallery Annexe, Cape Town.
2002: South African International Trade Exhibition (SAITEX), Johannesburg.
2002: Group Exhibition, Constitution Hill, Johannesburg.
2002: Outdoor gallery (Billboard), Johannesburg.
2002: Group Exhitbition, Fordsburg artists studios, Johannesburg.
2001: Group Exhibition, DC art gallery, Cape Town.
2001: Group Exhibition, Spaza art gallery, Johannesburg.
1998: Annual student art exhibition, Central university of technology, Bloemfontein.
1995: Annual student art exhibition, Central university of technology, Bloemfontein.

Group Exhibitions (international)

2013: Our Daily Work/ Our Daily Lives, Michigan State University Museum (MSUM), East Lansing.
2006: L’atelier, Renault Show Room, Paris.
2004: The ID of South African Artists, Fortis Circus Theater, Scheveningen.

Artist Residency

2018: Nando's Creative Exchange, Cape Town.
2002: Bag Factory Visiting Artist, Johannesburg, & Greatmore Art Studios, Cape Town.

Awards

2003: National Finalist, The Brett Kebble Awards, Cape Town.

Commissions

Murals: Mineworker Development Agency; National Union of Mineworkers South Africa (NUMSA); Coca-Cola South Africa.
Book illustrations and covers: Human Rights Media Centre; Keels Publisher.
Report Covers: Labour Research Service; Ditikini Investment Company annual&nbsp.
Artwork: Community House, Salt River.

Other Work

1996 – 2003: Art Lecturer and teacher, various schools and institutions, South Africa.

Texts

Kelodi Senong, Nkoali Nawa‘s Visual Aesthetics of Social Reportage and Dialogues with Being-Black-in-the-World, ASAI, 2021.

Meshack Raphalalani

b. 1950, Venda, South Africa.

Raphalalani is a wood sculptor working in the Venda tradition, exhibiting both locally and abroad. Historical events, traditional ceremonies and rituals are recurring themes in his work. He was a founding member of The VhaVenda Arts Foundation.


 

 

 

Education

Venda Land Training Institution
1972: Art Method teaching, Ndaleni Educational Training Centre, KwaZulu-Natal.

Group Exhibitions (South Africa)

2003: Contemporary Natural, Mukondeni Fine Arts Gallery, Johannesburg.
2003: Design-in Africa,, Mukondeni Fine Arts Gallery, Johannesburg.
1985: Tributaries, Africana Museum (now Museum Africa), Johannesburg.
1985: Exhibition, Venda Sun Hotel, Limpopo.
1972, 1978: Exhibitions, University of Fort Hare, Alice.

Group Exhibitions (International)

2015: Art Santa Fe, Sante Fe Convention Center, New Mexico, United States of America.

Workshops

2017: Roots, Woodcarving expo, Los Angeles, United States of America
2016: Transvisions in Wood, Karoo, South Africa.
2016: World Wood Day, Kathmandu, Nepal.

Awards

2015: First Prize, Arts and culture for a sustainable Future, Champion World Woodcarving competition, Durban.
2015: Winner, World Wood Day Foundation competition, California.
1986: First Prize, African Art Festival, University of Zululand, KwaZulu Natal.

Links

Wood sculptors with sustainability focus. Independant Online, 10 September 2015.

Thami Jali

b. 1955, Lamontville, Durban.
Thami Jali is a painter, ceramicist and printmaker. As an alumni of the Rorke’s Drift Art & Craft Centre, he helped to re-establish the ceramics studio for their 2004 re-opening. Jali’s subject matter is as broad as his skill set, engaging areas from political life, dreams and the surreal, to forms from nature. 

 


Education

1983 - 1984: Ceramics, Natal Technikon, KwaZulu-Natal.
1981 - 1982: Rorke's Drift Art & Craft Centre, Kwa-Zulu Natal.

Solo Exhibitions (South Africa)

2024: Mphendla Ndlela, KwaZulu-Natal Society of Art (KZNSA) Gallery, Durban.
2014: Restless Spirt, Durban Art Gallery, Durban.
2007: Transformation, BAT Centre - Menzi Mchunu Gallery, Durban.
1998: Ungqofo Ulalele, BAT Centre - Menzi Mchunu Gallery, Durban.

Group Exhibitions (South Africa)

2014: Retroactive, KwaZulu-Natal Society of Art (KZNSA) Gallery, Durban.
2011: Three Parts More Harmony, Durban Art Gallery, Durban.
2011: Amandla, BAT Centre - Menzi Mchunu and Democratic Galleries, Durban.
2010: Amandla, Durban Art Gallery, Durban.
2009: A Known Heritage, Kizo Art Gallery, Umhlanga.
2004: InniBos Kunstefees, Nelspruit.
1995: Africus: Johannesburg Biennale ’95, Johannesburg
1995: 38 Essex Road, NSA Gallery, Durban, Kwa-Zulu Natal
1994: National Arts Trust Exhibition, BAT Centre, Durban.
1992: Thupelo Workshop Exhibition, Federated Union of Black Artists (FUBA) Gallery, Johannesburg.
1991: Thupelo Workshop Exhibition, Federated Union of Black Artists (FUBA) Gallery, Johannesburg.
1990: Vulamehlo – Open Eye,  Durban Art Gallery, Durban.
1989: Five Friends, (Paul Sibisi, Mpolokeng Ramphomane, Sfiso kaMkame, Gordon Gabashane and Thami Jali), Natal Society of Art (NSA) Gallery, Durban.
1989: Objects of Utility, Federated Union of Black Artists (FUBA) Gallery, Johannesburg.
1988: Friends of Freedom, Federated Union of Black Artists (FUBA) Gallery, Johannesburg.
1980 - 1982: Festival of African Art, University of Zululand, Richards Bay.

Group Exhibitions (International)

1997: New Dehli Triennale, Lalit Kala Akademi, New Dehli.
1993: ART OMI, International Artists Workshop, New York.
1990: Art from South African Townships, Institute for Contemporary Arts, London.
1983: Art Communication, Indingilizi Gallery, Mbabane.

Workshops & Residencies

2023: ASAI Print Access Workshop, Wits School of Arts, Johannesburg.
1997: Artist in Residence, Edgewood College, Wisconsin.
1990: Zabalaza Festival, Institute of Contemporary Art, London.

Awards

1982: First Prize - Sculpture, Festival of African Arts, University of Zululand, Richard's Bay.

Other

2017: Judge, PPC Imaginarium Awards, South Africa.
2004: Re-established the ceramics studio, Rorke's Drift Art & Craft Centre, Kwa-Zulu Natal.
2000: Ceramic tile project, Matsulu Art Centre, Mpumalanga. 
1991: Trustee, Community Mural Projects, Cultural Trust, Durban.
1987: Pottery and sculpture teacher, Mofolo Art Centre, Soweto.
1983 - 1984: Founder, Art Communications, Natal Technikon (now Durban University of Technology).

Public collections

Artists for Human Rights Trust
Caversham Press
Campbell Collection, University of KwaZulu-Natal, Durban.
Durban Art Gallery, Durban.
Phansi Museum
Iziko South African National Gallery, Cape Town.
Tatham Art Gallery, Pietermaritzburg.
The Constitutional Court, Johannesburg.
University of Zululand, Richard's Bay.

Russel Hlongwane, Thami Jali, Mphendla Ndlela, (KZNSA Gallery, 2024).
Sithembiso Sangweni, Thami Jali, artist on a mission, (ASAI, 2018).
Thami Jali, Recalling Community Mural Projects, (ASAI, 2018).
Jenny Stretton, Thami Jali: Restless Spirit, (ASAI, 2018; originally published in 2014 by Durban Art Gallery).
Jenny Stretton, Thami Jali talks to curator Jenny Stretton about his vision for the future, (ASAI, 2018; originally published in 2014 by Durban Art Gallery).
Bren Brophy, Terry-Anne Stevenson reflects on an artistic life shared with Thami Jali, (ASAI, 2018; originally published in 2014 by Durban Art Gallery).
Witty Nyide, Directions to find Thami Jali (ASAI, 2018; originally published in 2014 by Durban Art Gallery).

KZNSA Gallery, Thami Jali: Mphendla Ndlela (2024).

Michael Barry

b. Port Elizabeth, Eastern Cape, South Africa, 1954.
Michael Barry is an artist and educator. He studied fine art at the University of Cape Town and is currently pursuing a PHD at Nelson Mandela University where he heads up the Department of Arts and Culture. Barry was an active member of the Imvaba Arts Association. He continues to be involved in numerous cultural development projects around Port Elizabeth. 

Art Education

2012: Masters, Nelson Mandela Metropolitan University, Port Elizabeth.
1981: Bachelor of Art, Fine Art, Michaelis School of Fine Art, Cape Town.
1985: Higher Degree, Education, University of Cape Town, Cape Town.

Group Exhibitions (South Africa)

2017: Just Painting, Nelson Mandela Metropolitan Art Museum, Port Elizabeth.
2016: #TheVoices, National Arts Festival, Albany Museum, Grahamstown.
2015: Art State, Gallery NOKO, Port Elizabeth.
2014: Redefinition of the status quo – collector’s edition, Gallery NOKO, Port Elizabeth.
2013: Collective 2013, artSPACE Gallery, Durban.
2012: A4 Ideas, Boomtown, Port Elizabeth.
1981: Young South African Photographers, South African National Gallery, Cape Town.

Public Commissions

Route 67, Nelson Mandela Bay Arts Journey, Port Elizabeth.
2013: Kite boy and Skipping girls, Helenvale Urban Renewal Programme, Thusong Centre, Port Elizabeth.
The Sunday Times 100 year celebration public art work, Queenstown.

Links

Michael Barry's website

Zamani Makhanya

b. 1959. Durban, KwaZulu-Natal, South Africa.

Zamani Romeo Makhanya is an artist and educator. He studied fine art at the University of Fort Hare before embarking on a teaching career at the Ntuzuma College of Education. Makhanya’s works give poetic form to ideas that relate to African culture, spirituality and aesthetics.